Showing posts with label speechless. Show all posts
Showing posts with label speechless. Show all posts

Timeslot Sinkers: ABC Friday, 8:30

Every schedule has holes to patch with times which deliver lackluster results.  Since the start of the 2012-13 season when ABC relocated solid multicam sitcom Last Man Standing to Friday at 8:00, they have failed to locate compatible sitcoms for a sturdy hour.  The network held a strong legacy on this evening from 1985-2000, eventually branding the evening its TGIF comedy block in 1989.  That changed as solid players ended, leading the network to sample other varieties of programming to supplement.  A brief yet less successful branding of TGIF developed from 2003-06, dispensing through several less-successful players.  Flashforward to 2012-present, and the crippling 8:30 timeslot holds ABC back from successfully reviving a TGIF block due to lackluster results following sturdy players.  Take a stroll down memory lane of scheduling fumbles.

Malibu Country (2012-13)

A sitcom featuring heavyweight performers Reba McEntire (WB/CW's Reba), Lily Tomlin (NBC Rowan & Martin's Laugh-In, Netflix's Grace and Frankie) and Sara Rue (Less Than Perfect) should have crackled.  The trouble came from the premise felt mildly recycled from McEntire's former sitcom Reba, as the lead (also named Reba) was also divorcing after infidelity.  18 episodes displayed, debuting at a 2.3, dropping fast to 1.7 in the next helping and eventually leveling down as low as 1.1 Live/Same Day viewing 18-49 demo averages.  In contrast, lead-in Last Man Standing hoisted a 1.5.  Where the series experienced trouble was reality TV heavyweight lead-out Shark Tank was displaying results at 1.8-2.1.  ABC opted to part with the series due to underperforming next door to one of its successful timeslots.

The Neighbors (2013-14)

Seeing potential in their struggling Wednesday freshman science-fiction sitcom, ABC relocated it to Friday 8:30 behind Last Man Standing for its 2013-14 season.  Perhaps the philosophy was "Last Man Standing moved here it's sophomore year, so let's build another success story."  This philosophy failed, as The Neighbors and Last Man Standing were incompatible.  LMS was sturdy realism, whilst The Neighbors was a fantasy sitcom with a normal family relocating to a gated community populated full of peaceful aliens.  Live/Same Day 18-49 Demos ranged from 0.8-1.2 for The Neighbors' 2nd season, frighteningly lower than any extraterrestrial display could ever visualize.  Again wedged between two heavyweights, The Neighbors were forced to fly home at the conclusion of the season.

Cristela (2014-15)

ABC reverted not only back to freshman pilots for the 8:30 timeslot, but also returned to multicam production.  They opted for Cristela, a heralded, diverse showing following the self-titled star as she updates her life in her 30's and decides to take a swing at the bar exam.  The defining sitcom split the action between Cristela's homelife living with her extended family, as well as the intriguing workplace which Cristela not only mingled with fellow interns while mildly fending off Hispanic typecasting.  Cameo performances from Roseanne Barr as Veronica Culpepper injected life into the new series, which appeared to be locating its tonal balance.  Ratings  for the timeslot did not hold, as it debuted with a solid 1.3 and averaged between 0.8-1.0 deeper into the season.  ABC opted to wipe the slate clean and start anew at the close of the season.

For more information on Cristela's premise, please visit HERE for an in depth analysis of this lost sitcom jewel.

Dr. Ken (2015-17)

Keeping to its prior interests in sticking with freshman multicam scheduling, they located mild success with Dr. Ken, heralded comedian/physician Ken Jeong's self-titled piece.  Ratings started strong, besting Cristela with a 1.5 Live/SD 18-48 demo.  Those numbers faded as the season burned down to 0.9 by spring, strong enough for ABC to grant a renewal as Shark Tank began to fade with age, and the series retained enough of Last Man Standing's audience.  Dr. Ken also arrived during an anomaly which two ABC sitcoms were lead by Asian-American casts, both contrast and independent in production.

Come season 2, the results delivered with a 0.9 debut out of strong LMS's 1.1.  Save for a mild 1.1 reprieve in January 2017, the series tunneled as low as 0.7 by the season's close as it faced stiffer competion from CBS during the entirety of its run.  ABC ultimately hocked Dr. Ken.  Not only due to dwindling ratings, but it lost its compatible multicam lead-in, Last Man Standing as ABC president Channing Dugney desired a change to Friday viewing.  LMS lost its solid meal ticket as it was (then) outsourced from FOX, where it would be revived the following season.  Dr. Ken may have made a nice bench warmer for failed sitcom timeslots, albeit one of the last multicam sitcom helpings ABC ever offered.

No Laughing Matter without Sitcoms (2017-18)

Dugney's vision of sitcom-free Fridays appeared to be a solution which bundled the troubled 8:30 timeslot into aging Sunday transplant Once Upon a Time.  Seeking an overhaul and update to the series by firing half the cast, the results not only underwhelmed long time viewers, but lowered the bar on Friday viewing.  The silver lining was it lowered it so far, it relaxed the standards for ABC to shop out sitcoms to return to the ruined landscape.

Speechless (2018-19)

Critically acclaimed Speechless crackled during its first season in 2016-17, delivering between 1.4-1.8 wedged between heavyweights The Goldbergs and Modern Family.  Season 2 experienced a fade, often with the sophomore season delivering a 1.1 as its neighbors boasted 1.6-1.7 18-49 demo deliveries.  Deciding against ending the series, ABC opted to relocate it to Fridays, paired with on-the-move Fresh Off the Boat.  Speechless experienced a 50-percent drop, averaging between 0.4-0.6 and ending with a 0.51 average for the 3rd season.  ABC decided against a 4th season after 63 episodes.  Perhaps a bit hasty, as this series may have helped plug several holes in the schedule the following season and made it to syndication.

Fresh Off the Boat (2019-20)

Reaching a higher episode count after a lengthy run, FOTB slid to the 8:30 timeslot in hopes American Housewife may lead the network to a stronger delivery.  Each episode delivered between 0.3-0.5, despite its lead star Constance Wu's controversial outburst upon hearing the series was renewed.  ABC opted to retire the series in February 2020 after 116 episodes.  And a slew of timeslots as ABC housed this well-written sitcom in more timeslots than a married boss' mistress' roster of No-Tell-Motel's she was checked into.  Farewell to a groundbreaking sitcom, which not only displayed an Asian-American family for 6 solid seasons but also paid great ode to the 1995-2000 flashback period.

Where Next, ABC?

8 seasons of modest to critical failures demonstrates a longstanding problem in scheduling.  ABC tried new, old, unfunny and everything between.  They house great opportunity with Fridays given American Housewife's sturdy deliveries leave an opening for the future.  Perhaps relocating a middling player might be key, as they need all hands on deck once Modern Family bows out.  Wednesdays are no longer powerhouse, and Tuesdays remain in an uneven rhythm with The Conners outlying a sea of middling players.  Perhaps Bless This Mess or Single Parents may make a compatible piece for American Housewife.  Or moving modest Black-ish and prequel Mixed-ish to this evening to create compatible family-friendly showings for ABC.

Sources: A special thank you to TV Series Finale for its dedicated vault of play by play episode data, helping readers remain educated in television history

Speechless Canceled After Three Seasons

ABC has canceled Friday sitcom Speechless after three seasons. The show was seen as one of the most "on the bubble" shows of all this season, with the Syndication Rule (three seasons guarantees a fourth) and the extreme declines and low ratings both pointing to different outcomes. In the end, the ratings were too low and the declines were too great for the show to earn a renewal.The show averaged just a 0.49 and fell over 55% in the third and final season. Its April 12 finale will now be its series finale. The series stars Minnie Driver, Micah Fowler, John Ross Bowie, and Cedric Yarborough, among others.

What do you think of this news? Will you miss Speechless? Let us know in the comments!

Top 5 Speechless Musical Moments



Ahead of Speechless' 3rd season, here is a list of my favorite musical moments from the series so far.

1. "Get your wheelchair van a-runnin'... annual DiMeo road trip!"
(s1e11 "R-O--Road T-R--Trip" and s2e12 "The H-U-S--Hustle")

So nice they've done it twice: This parody of Steppenwolf's "Born to Be Wild" -- in which Maya and Jimmy announce their family's spontaneous yearly post-holidays tradition -- showcases the musical talents of Minnie Driver (who put out her first album of singer-songwriter folk-pop, Everything I've Got in My Pocket, in 2004 and has since released two more) and John Ross Bowie (who played and sang in the New York pop-punk trio Egghead for several years in the '90s before he got into acting).
"Ray objects every year..."
"Vans can move faster than people!"
Bonus tracks: In s1e11, the plot turns on a strategically placed cassingle of Go West's "King of Wishful Thinking"; in s2e12, Maya dances to Van McCoy's "The Hustle" at a '70s-themed school fundraiser, and the kids take the van on a smashing spree to the strains of the Undertones' punk-pop classic "Teenage Kicks."


2. "Junk drawer, junk drawers, junk refrigerator..."
(s2e1 "W-E--We're B-A--Back!")

Cedric Yarbrough gets a delightful showcase of his own in the Season 2 premiere when Kenneth relishes an opportunity to school the DiMeos on their messy lifestyle through song parody; Jimmy joins in to harmonize after recognizing the tune, "Brandy (You're a Fine Girl)" by Looking Glass, from the Guardians of the Galaxy soundtrack.

3. "A special-needs mum's excuse to do jack squat..."
(s2e16 "One A-N--Angry M--Maya")

In this fully choreographed fantasy sequence -- a goof on "I've Got a Golden Ticket" from Willy Wonka and Chocolate Factory -- Maya secretly delights in her jury-duty summons as a chance to take some much-desired "me" time away from her many household responsibilities without the guilt of doing so for purely selfish reasons ("I've got a civic duty to fulfill!"). For an account of how this number came about and came together, check out show creator Scott Silveri's Hollywood Reporter guest column (the YouTube clip in the article has since been deleted, but Yahoo! still has a clip).

4. The Colonel & Little Kenny, together again.
(s2e7 "B-R-I--British I-N-V--Invasion")

An impromptu rendition of Elton John & Kiki Dee's "Don't Go Breakin' My Heart" by Maya, Kenneth and his visiting dad, The Colonel (Keith David) -- no, he's not a military man, it's just a stage name -- lends a moment of levity to a Thanksgiving otherwise stuffed with family drama. Later, the reunited Colonel & Little Kenny -- whose singing act had originally ended many years earlier when young Kenneth had quit mid-gig due to his overbearing father's constant criticisms -- sweetly croon "My Dad / His Dad" (to the tune of the Temptations' "My Girl") at the sushi restaurant where Jimmy has returned to conquer the Godzilla Roll that had defeated him the day before.


5. Jimmy's got juice!
(s1e22 "M-A--May-Jay")

In a sendup of Goodfellas' Copacabana tracking shot (it even uses the same cue, the Crystals' "Then He Kissed Me"), Jimmy wheels JJ (Micah Fowler) into the hospital for knee surgery, only to notice for the first time just how much "juice" (special treatment) he receives there as a result of his son's frequent stays.
Bonus tracks: "Dancehall Domine," by Canadian power-poppers The New Pornographers, plays during the cold-open time-lapse montage in which JJ spends most of a day trying to unbutton his pajama top; when a new friend and fellow dad takes Jimmy out to a fancy dinner, the restaurant's jazz band gleefully performs the Ramones' "Blitzkrieg Bop" at Jimmy's request.

Honorable Mentions:

Shout-outs to XTC / Dukes of Stratosphear, the Ramones and Henry Rollins.
(s1e16 "O-S--Oscar P-A--Party," s1e17 "S-U-R--Surprise," and s1e18 "D-I--Ding")

During the latter half of Season 1, three episodes in a row featured punk / New Wave-related references that made my music-nerd heart sing: At the Oscar Party for Maya's special-needs parents' support group, Jimmy begins to recognize that the seemingly dull dads actually have "interests [and] taste" when one turns out to be a fellow fan of XTC (and their psychedelic side-project); at a birthday party for Dylan (Kyla Kenedy), Jimmy tries to work past his awkwardness and find common ground with Kenneth, but a mention of the Ramones leads to a hilarious bit of confusion between them; and during a grocery-shopping trip, a flashback montage of Jimmy's broken promises to Dylan includes "Henry Rollins' autobiography!"

Jimmy was a punk.
(s2e9 "S-T--Star W--Wars W--Wars")

While JJ and Ray (Mason Cook) attend the premiere of The Last Jedi, Maya and Dylan make the most of a rare evening at home without the boys but soon become frustrated with Jimmy's reluctance to suggest fun activities of his own. Thanks to some manipulation from his wife and daughter, Jimmy gets to pogo (to "Damaged Beyond Repair" by Syracuse, NY power-poppers The Flashcubes) and have Dylan dance on his feet (to "Wake Up" by Tomorrow's Tulips, a D.I.Y. garage-grunge group from Orange County); but when the ladies suggest having a family jam covering his old punk band's songs, he catches on to their trickery (Maya: "I knew I shouldn't have said his band was good").

"You're the unforgettable pain, you're the sweetest kind of rain..."
(s2e15 "U-N--Unforgettable P-A--Pain")

After getting dumped by his first girlfriend, Ray is inspired to write and sing this hilariously tortured acoustic lament ("And my brain goes insane when the Taylor train rolls through my mainframe"). Funnier still, shortly after smashing his guitar, Dylan catches herself singing her brother's song and wonders, "Where is that from? It's so good!"

***

Speechless s.1 and 2 are now available on MOD DVD through Amazon.com; s.3 premieres October 5 at 8:30 p.m. ET / 7:30 p.m. Central on ABC.

Meet the New Speechless Reviewer


Howdy, folks! Gena here.

I first stumbled across the TVRG blog in the 2015-16 season while looking up The Last Man on Earth recaps and reviews, but it was HV's reviews for Speechless that brought me back during the 2016-17 season, and then later that summer I started commenting (especially in the Off Topic posts).

For my first blog post, I must say I'm thrilled that I've been given an opportunity to take over for Hunter as Speechless reviewer, and I hope I will able to fulfill this duty through Season 3 (2018-19). It is currently my favorite show -- I've seen each episode at least twice (and in some cases, thanks to reruns, three or four times).

Some of my other favorite comedy shows (and dramedies) over the years:

1) Saturday Night Live and The Simpsons -- I've been watching both since at least the early '90s.

2) Past -- include The Wonder Years, Perfect Strangers, Get a Life!, Brooklyn Bridge, Doogie Howser MDSeinfeldFrasier, Friends, The Critic, NewsradioEverybody Loves Raymond, King of the Hill, Will & Grace (original run), The King of Queens, Futurama (original FOX run), Freaks & Geeks, Malcolm in the Middle, EdUndeclaredScrubs, Arrested Development (original FOX run), How I Met Your MotherMy Name is Earl, 30 Rock, The Middle, Raising Hope, Suburgatory, New Girl, The Mindy Project (original FOX run), Community, Portlandia, LMOE, GalavantGreat News and Trial & Error. (Also Clone High -- I missed its MTV run, but I have it on DVD.)

3). Current -- Fresh Off the Boat, It's Always Sunny in Philadelphia, Drunk History, The Good Place, Documentary Now!, Brockmire and Young Sheldon (also Another Period and Detroiters, if they haven't been cancelled yet); ones I haven't seen from the beginning but have been watching regularly for the past couple seasons or so include South Park, The Big Bang Theory and The Goldbergs. (As for dramas, I've been a loyal viewer of Grey's Anatomy from its start, I got into Doctor Who several years ago, and I love This Is Us; plus, I watched E.R. for its entire run, adored Once & Again and own My So-Called Life on DVD.)

I should probably add that I'm kind of a music nerd. I grew up in the '80s and '90s with oldies and classic-rock alongside Top 40 pop and country, but exposure to college-rock and free-form radio in my late teens-early '20s would turn me on to punk, New Wave, power-pop, alternative country / folk / Americana and more; and I've continued to seek out good stuff both past and present.

Thanks for the invite, and I look forward to contributing to TVRG! :)

Roseanne Is Silenced. Working Class Families Are Not.

The Ratings Junkie Saturday, June 02, 2018
Roseanne Is Silenced. Working Class Families Are Not.

By now, many have heard of the sudden and tragic downfall of Roseanne. The show was one of the top shows on television both in its original run a few decades ago, and in its revival that aired this spring. Roseanne Barr's recent racist tweet led to the revival getting canceled, Barr being dropped by her talent agency, and even reruns of the original show pulled from the schedules of various syndicators.

Roseanne was an extremely important show in this landscape. At its core, it focused on a working-class family, something that is underrepresented on broadcast television. After the controversial cancelation of Last Man Standing and this being the final season of The Middle, this was the perfect time for ABC to demonstrate to audiences that they still support showing working-class families.

There is a high chance that Roseanne may never see airwaves again. This is certainly a blow to those who like to watch working class families on TV; after all, it's never a bad thing to laugh along and realize the situations in these shows could be similar to ones your family is going through as well.

While no show will ever be Roseanne, here are some from past and present times that could help fill a void for those looking to watch working class families. They are presented in no particular order.

Last Man Standing
Last Man Standing was a high-profile Tuesday premiere for ABC in 2011, but lost a good deal of its audience over its first season. It moved to Fridays at 8pm for its second, which would end up being the first of five seasons in that time slot. Its ratings stayed more or less steady as the league average kept declining, and its 6th season was actually the strongest-rated of them all.

Understandably, some were shocked when ABC canceled Last Man Standing in favor of Once Upon A Time. However, the show was not owned by ABC and while strong for Fridays, the A18-49 ratings were less impressive than the total viewership.

Last Man Standing stars Tim Allen as Mike Baxter, a religious and conservative sporting goods store director. He has a favorite daughter; the one who is a political conservative and likes to hunt. While he identifies as a conservative, Baxter is not too outspoken for or against President Trump.

At its heart, Last Man Standing is a family comedy that does not belittle either side of the political spectrum. While some media outlets made it sound like ABC was silencing Allen for being a conservative, the show was more likely not making enough money for them.

All 6 seasons of Last Man Standing are available with a Hulu subscription. Other options include downloading for $1.99/episode on iTunes, Google Play Store, YouTube, Vudu, or Amazon Video. It is currently syndicated on CMT, Hallmark Channel, and Freeform. The show will return for a 7th season this fall on FOX.

Raising Hope
Raising Hope was not a ratings hit. In fact, it more than likely wouldn't have made it four seasons had it not been for high-rated lead-ins early on as well as to fulfill syndication prospects. For this all to happen, the show had to have had internal support from FOX. They even gave viewers advanced notice that the fourth season would be its final one.

The basic background of Raising Hope's premise is that a young adult unexpectedly gets a woman pregnant who herself is given the death sentence after the birth of the child due to actually being a serial killer. As a result, the father of the child raises the child with the assistance of his traditional family.

The family depicted in Raising Hope is tight on money compared to those on many other shows, and having to raise an unexpected child certainly does not help their finances and their dream for more than they already have. The middle-aged parents work respectively as a maid and a struggling landscaper, neither of which are high-paying jobs. This family gets by through the means of each other more so than money.

Raising Hope does not tend to focus on politics, and the stars of the show are not outspoken conservatives like Roseanne Barr is. Instead, it focuses on the core values of family amidst financial troubles.

All 4 seasons of Raising Hope can be watched with a Hulu subscription. Other options include downloading for $1.99/episode on iTunes, Google Play Store, YouTube, Vudu, or Amazon Video.

Bob’s Burgers
Bob’s Burgers has been airing since 2011 and flew under the radar for the vast majority of the time. It hasn’t seen the ratings of staples The Simpsons and Family Guy much until this past season, and is often preempted in the fall in favor of a football post-game show. The show mixes the wackiness and randomness one would expect from an animated comedy with the struggle of being a working class family. Bob owns and operates a burger joint across from a popular Italian restaurant, and often does very little business outside of one loyal customer. His three kids, none of which are above the age of 13, work as his waiters. They actively avoid their landlord, as the restaurant isn’t giving them much money to live off of. They know that there’s a possibility they are one health inspection away from being shut down, and it doesn’t help that their inspector used to be engaged to Bob’s wife.

While Bob’s Burgers doesn’t talk about money a lot, it’s usually clear in episodes that the family does not have a lot of money. They work with and enjoy what they have, even if they can barely make a living off the restaurant.

Bob’s Burgers will air Sundays at 8:30pm this fall on FOX. It is available for digital download as well DVD for the first five seasons. It can also be viewed with a Hulu or Amazon Video subscription. Select episodes are online on TBS and Adult Swim’s websites, as it is syndicated on both networks.

Fresh Off The Boat
Roseanne (the show) made a controversial joke about ABC’s push for diversity in their family sitcoms through the deadpan delivery of the line “they’re just like us”. Fresh Off The Boat is indeed about a working class family, and is the first sitcom to star all Asian-Americans in roughly 25 years.

Fresh Off The Boat talks the most about their lack of money in earlier episodes. Like in Bob’s Burgers, the patriarch of the family owns and operates a family restaurant. Louis Huang moved his family out of Chinatown in D.C. to the white-dominated suburbs of Orlando so he could follow his dream of opening the restaurant. At first, the place has a lot of trouble drawing in customers, and has led to Louis having to lie to his wife about how it is doing so she does not get concerned about money. Even when the restaurant starts to do better, the Huangs are not said to be any better off their your average American working class family.

The show will return for a 5th season on ABC Fridays at 8pm this fall. In the mean time, previous episodes can be viewed with a Hulu or Amazon Video subscription or via digital download or Vudu. Select seasons are available on DVD, and some recent episodes are on ABC’s streaming app.

Speechless
Speechless is a comedy about an average American family with one major catch: their oldest son cannot talk or walk due to cerebral palsy. He communicates via a computer system and the translator assigned to him by the school he attends.

Right from the beginning of the trailer for this show, it’s clear that the family in Speechless is tight on money; a scene involves the mom speeding to a restaurant in time to use a coupon to eat breakfast.
Additionally, the school the child attends is not cheap; the family forces themselves to live in the cheapest house they can find in the general area. The father has a job working at an airport; they make ends meet, but aren’t the most well-off family either. Speechless is certainly not ABC’s first show about a working class family in this family comedy era, but it is well-received.

Speechless will return this fall on ABC in the Fridays at 8:30pm time slot, airing right after Fresh Off The Boat. Some episodes can be found on ABC’s website/app, and all can be found with a Hulu or Amazon Video subscription. Other options to watch include Vudu or digital download.

One Day At A Time
Before Roseanne Connor and co represented working class families on broadcast television, there was One Day At A Time. The show ran from 1975 to 1984 on CBS. At its core, it tackles the consequences of divorce and being a single parent with an average job. The issues tackled in the original series are still relevant today; Netflix picked up a new incarnation of the show with a different cast and has released 26 new episodes. Other topics, including sexuality and alcoholism, are
touched upon, and the reboot takes more of a dramatic spin. With a multi-camera setup and focus on a working class family, One Day At A Time can prove to be a solid watch for someone who wants more Roseanne; especially if Roseanne Connor wasn’t their favorite character.

F Is For Family
This lesser-known Netflix animated show takes place in the 1970s and centers around a family in a typical town trying to make ends meet. The patriarch of the family is a war veteran who works at an airport and hates it. He often complains about how he doesn’t make a lot of money, and is extremely protective of what he does make; he doesn’t like purchases being made behind his back. He has zero tolerance for his family at times because of it. The matriarch of the family starts out as a housewife, but later gets into the workforce after a company liked her idea for a new product. However, she has to put up with inappropriate advances and sexism within the company. None of the three kids are particularly smart or talented.

This is a different type of show in that it doesn’t always try to be hilarious, and there’s no moment at the end of an episode where the family makes up and gets along with one another after the conflict from earlier in the episode is solved. Sometimes, that conflict is not solved at all. If you are looking for a show that captures the mood of some working class families in the 1970s, but doesn’t always show a ton of heart or an artificially positive spin on things, you may be interested in this show. The animated nature allows the characters to be played by voice actors of different ages (and sometimes genders), but in general operates more like a traditional single-camera show.

F Is For Family is a Netflix exclusive, where it has aired 16 episodes and was recently renewed for a 3rd season.

King Of The Hill
While this show attracted audiences on both sides of the political spectrum and is said by some to unite the sides, the Hill family is largely a country-loving, God-praising conservative family from Texas. The patriarch is a salesman, and the matriarch is a barely-getting-by substitute teacher. The show focuses on the realism aspects, and trades in the wackiness that can often be found in an animated comedy with depictions of more realistic events. Like F Is For Family, it plays out more like a single-camera comedy that is animated for the sake of casting flexibility.

This is one of the few shows on this list where the family is not only working class, but also largely conservative. In this sense, the family operates like Roseanne. While they are definitely different shows, King Of The Hill takes a unique look into a conservative, working-class family in modern day America.

King Of The Hill can be viewed via digital download. A cheaper option would be watching it in syndication; it leads off Adult Swim’s nightly block at 8pm, and rotating episodes can also be viewed on their website/app.

A notable honorable mention to this article would be The Middle, which recently ended its run on ABC. The creators of the show got their start as writers on Roseanne, and the show features a working-class family and very often brings up their money issues. They seemingly long gave up on ever being rich and learn to be content with what they have. No politics are brought up in the show, though matriarch-player Patricia Heaton identifies as a conservative off the screen like Barr. The show is currently syndicated on the Hallmark Channel and Freeform, and airs in reruns for now Tuesdays 8-9pm on ABC. It can also be viewed via digital download. The reason it did not make the main list is its lack of a major streaming deal, meaning it’s difficult to just start from the beginning.

Another honorable mention is Superstore, which currently leads off NBC’s Thursday night lineup. The show does not center on a family, but it does center around characters who are working class. The majority of the characters are workers at a large chain retail store who are struggling to make ends meet. Main character Amy, for example, recently went though a divorce and is living off of her weekly paychecks to provide support for her child. The sitcom is yet another example of working class people being represented on television.

This is not to name every single show that features a working-class family. The main point here is that while many found comfort in Roseanne Connor’s voice, one that is not often depicted on television, there are still other options. I hope at least somebody found a suitable recommendation out of this.