Showing posts with label mom. Show all posts
Showing posts with label mom. Show all posts

Mom to End After Current Season

The CBS comedy family is about to lose its mom. Mom, the long-running Allison Janney-led comedy that's been a staple of their Thursday comedy lineup since 2014, will end its run at the end of its current eighth season. The sitcom is one of the most recent shows on broadcast television to pick up a Primetime Emmy Award in a major category, with two back-to-back wins in 2013 and 2014 for Allison Janney. Its positive critical reception has continued to this point, with three Critics Choice Award nominations for its current season. An episode count for the final season is yet to be announced, but the series finale is set to air on May 8. To-date, Mom has aired 159 episodes. Ahead of the final season, longtime star Anna Faris departed the series, leaving Janney as the only remaining main cast member from the first season. Mimi Kennedy, Jaime Pressly, Beth Hall, William Fichtner and Kristen Johnston also star in the series, which centers on a group of friends in Alcoholics Anonymous. The series has remained a strong performer for CBS throughout its run, averaging a 0.62 this season and rating as the #4 comedy on the network. It is co-created by Chuck Lorre, and currently runs in syndication.

TV Shows Who Relaxed The Rules With Weed


Televisions came into people's homes mid-20th century to squeaky clean, picture perfect people pretending this was how to live.  Not too long before that, marijuana was criminalized and made illegal for recreational or medical use.  It certainly had no place on Stepford-esque broadcast television shows as it was viewed as amoral and taboo.  Come the late 1960's and early 1970's as counterculture was on the ride, one may have heard a mention on a police show.  It may have been discussed, but never dare seen.  The 1980's may have featured it, but often were accompanied with the label "A Very Special Episode," often using the opportunity to show the dangers of drugs.  It was clear where society's valued skewed.

All of that changed in the next millennium when people finally loosened up and quit overreacting about cannabis.  Seen often across the cable board without people batting an eyelash, weed was nearly free of the taboo factor.  As more states examined conditional use  laws by state such as as Colorado and the western seaboard states legalizing.  With this trend following, broadcast networks picked up on the trend.  Also, their ratings were sagging lower than aged cleavage and they were looking for new eyes to stare upwards.  Janet Jackson's floppy wardrobe made it clear not to push the nudity envelope, so the networks decided to go green and baked up some magic.  The 2010's delivered a better variety of characters in the weeds, even on CBS with characters like Mike and Molly's Victoria (Katy Mixon) in the earlier hours.  This decade delivered better examples recreational weed smokers defying stereotypes.

Gone are the days of weed being a risque way to break the rules.  Everyone loved That 70's Show, and thankfully in most state that rule-breaking pastine is left for teenagers.  There were plenty of examples of said characters delivering negative examples of weed smokers in the 2010's (the entire male cast of CBS' Mom as an example).  Where TV series stood out was delivering high-powered professionals, people in jobs of status, parents, educators and people seen as upstanding in society.  Implementing this facet with normal, relatable characters broke the ceiling and helped folks lighten up.  Take a peek at the shows which made it acceptable to go green:

Mike and Molly

CBS opened the decade by breaking the sitcom mold profiling plus-sized love.  This lovable, diverse ensemble provided several avenues to update character standards, including weed smoking Victoria Flynn (Katy Mixon).  Indeed a wildcard beautician to the dead, Molly's energetic sister keeps it on the mellow with openness in dialogue, and her love for weed. While other Chuck Lorre pushed the boundaries with toilet humor, Mike and Molly decided instead to display an accepting attitude toward alcohol an cannabis use.  A Chicago police officer, Mike (Billy Gardell) knows his sister-in-law gets blazed.  He has even caught his school teacher girlfriend Molly (Melissa McCarthy) enjoying a red and green evening over a glass of merlot and a joint.  20 years earlier, this would have been a trite conflict with forced laughs.  Instead, Mike playfully mocks his mate for enjoying her evening a bit too much.

Like the prior mention, the entire ensemble is gainfully employed and (usually) law-abiding.  No one is stoned on the job, and all are handled in down time.  Years ago, school teachers were often seen as uptight and fearing their image not being pure due to district politics, are not supposed to even associate with said drudges.  Molly Flynn showed you may hold a polished image yet schedule some fun in your downtime.  Mike and Molly holds the distinction of being one of the first sitcoms to feature habitual marijuana recreation without the topic being "an issue."

Last Man Standing

A family of conservatives living in the state of Colorado leaves plenty of opportunities for weed bashing.  However, Last Man Standing updated the overdone formula and showed Mike Baxter's (Tim Allen) father Bud (the late Robert Forster) opening a dispensary cleverly titled "Bud's Buds."  A shocking departure for a crusty, conservative man who earned ire for spanking his great-grandson.  Use was hardly displayed on screen, but the mention and business foray depicted even conservatives enjoy an energetic business venture.

Season 7 not only jolted the series from ABC to FOX, but writers elected to kill off Bud.  This was catalyzed as Forster was suffering from health ailments and they gave him a sendoff prior to his late 2019 death.  Not all soured this progressive move forward for LMS.  In a character-driven twist deeper into this season, Mike's liberal son-in-law Ryan (Jordan Masterson) managed to assume control of Bud's Buds.  A normalized stance toward weed helps balance the tone on this conservative sitcom and is needed to acknowledge the 21st Century exists.

2 Broke Girls

All mentions on this list break away from negative, lethargic stereotypes of weed smokers.  2 Broke Girls' Max (Kat Dennings), however, doesn't quite pass this grade.  A snarky, rough around the edges waitress, she also an equal opportunist for drinking and smoking.  Nearly every episode featured Max referencing being high (as well as liberal doses of crass toilet humor).  Plenty of visuals featuring weed came on display, regardless of the 8:00 timeslot which networks often refuse to display "suggestive" topics in the events children were viewing.

Where 2 Broke Girls gains props for breaking stereotypes of stoners is Max somehow does it all.  She eludes to drinks a gallon of booze, smokes a bong and enjoys one night stands like any red blooded 20-something.  And yet she somehow never looks grey from a hangover, hardly tows the stupidity line and still manage to spit out crass insults in a split second.  Someone stoned out of their gourd would never be capable of handling that tall order.  In addition (in irony of the title), Max is never not working.  During all 6 seasons of CBS' longstanding sitcom, Max always held down two jobs.  She nannied, waitressed, built a dynamic business, and waitressed some more.  And demonstrated you can bake your weed and eat it too.

Better Things

Another gainfully employed lady named Sam Fox (Pamela Adlon) always seems to have a cloud hanging over her.  Friends, daughters, herself and even her aging mother seems to be high.  and yet, all is normal in Sam's world.  Desirable gatherings by the pool always have a bottle of spirits, cigarettes and a healthy joint accessorize hangouts with girlfriends.  The gentleman slip out to the garage and enjoy splitting a joint, much like seeing two buddies sharing a beer in the garage ages ago.  Where Better Things sets a glowing example is Sam's imperfect life is upstanding, upscale and inventive.  After returning home and finding her teenage daughter getting blazed in her home with her friends, Sam kicked into angry parent mode.  Not because she caught them smoking, but demanded they not do it in front of the underaged children in the house.  Sam's stance is enjoy your vices, but keep the tact and etiquette in play.

That 70's Show

Having aired from 1998-2006, the series hardly did a thing to lend a progressive view on weed (besides majority of the cast being baked).  Where That 70's Show gains notice is it stylishly managed to incorporate recreational weed use under stricter guidelines for the late 90's and early 2000's.  "Circle time" hardly displayed any smoke, yet viewers knew what was going on.  The topic was openly discussed, yet none of the adults seemed to know what was going on in the basement.  The only inconsistency was parents in the 1970's could recognize something was stinking up their house, even if they never fired a bowl or joint.  How did that basement ventilate the cloud so well!?

Mom

A sitcom centered on addiction leaves cannabis hardly a shocking topic.  It is brought up often as an anecdote for when the ladies were at their worst before they swore off the sauce.  Earlier seasons depicted consumption in a negative light (and oddly with every male depicting stoned oafs).  Later in the series, showrunners relaxed their stance as not only had times changed, but the ladies had stronger control over their addictions.  Lighthearted misadventures including four of the addicts accidentally consuming cookies highlighted the funniest visuals presented during its run.  And a Season 7 field trip which the addicts checked out a dispensary and were amazed how much had changed in the years after they overdid the vices as one character noticed "Pot goes on sale!?"  Their visit also demonstrated weed was not for the addicts, rebellious or people who don't fit into an office setting.  The series works continually to stay current on recreational hobbies as well as issues to show how addicts can mingle with the green culture without threatening their sobriety.

The Conners

The Roseanne continuation hardly shocks anymore as its loud roots never shied away from progression.  The original tackled a plethora of envelope pushing issues throughout the 80's, 90's and for a few episodes in 2018 (the former star could have used a brownie to tone down her Twitter behavior.).  So how can the continuation update the blueprint so it isn't simply "Roseanne Lite?"  They displayed a continually relaxed stance toward changing societal norms, weed included.  Back in 1993, Roseanne "shocked" its audience with the three adult leads opting to get stoned.  Come 2020, Roseanne's granddaughter Harris (Emma Kenney) regularly gets high with best friend/roomie Odessa.

And when her mother catches the two, she'd rather embarrass the ladies with sarcasm.  No groundings.  No lectures about the dangers of drugs.  Just a good old reflection of showing how silly the ladies appeared.The Conners recognizes smoking weed is hardly "sparking a doobie" as the baby boomers in 1993 knew it in their heyday.  It is everywhere and widely accepted in 2020.

Grace and Frankie

Netflix's longstanding series doesnt wreak of the usual stank of a habitual weed consumer.  Instead, it is a plush, beautiful setting featuring two over-70 leads getting involved in hikinks.  Grace (Jane Fonda) prefers martinis and brown liquor, while free spirited Frankie (Lily Tomlin) rather prefers going green.  And guess which one overindulges?  The refreshing quality Frankie displays is she never tows the line of excess and maintains peace and harmony.  The show relaxes the tone toward marijuanas, preferring to treat it on par with alcohol and cigarettes.  The characters share socially as though having a cup of coffee.  A peek into the fridge also displays Frankie storing buds as part of her kitchen.  Both ladies have hit the joint, and yet weed blends into the beautiful backdrop.  Both leads are common messes, and their substances of choice are hardly the reason.

Disjointed

A sitcom featuring an overload of cannabis and canned laughter?  Chuck Lorre crafted an odd mixture in his first (and perhaps last) sitcom entry on Netflix "greenlighted."  Disjointed didn't survive outside its 2017-18 run, and it wasn't because the principles got high in every episode.  Rather, it was the awkward laugh track and crass, profane dialogue not mixing which sank this intriguing premise.  Ruth Whitefeather Feldman (Kathy Bates) finally achieves her lifelong dream of opening a dispensary.  And rather than treat this haven like a liquor store, she preferred to operate it like a medical office and counseling center.

Where Bates struck a grand slam was her humanizing the weed culture and working to defy stereotypes.  She was indeed a former flower child and activist, but she was no pushover.  She used her mean, aggressive edge to build a franchise and run it to the strictest standards.  She knew the neighboring businesses despised her "wellness center" and half of the time she understood.  She loathed having stereotypical stoners like Dank and Dabby (whom she frequently referred to as "those two f---sticks") loitering in the parking lot outside her shop.  Ruth worked feverishly to break the image of weed smokers being disruptive loads on society.  And a reminder to all when pursuing a vice or pastime, there is standards and etiquette to follow.  Too bad Lorre didn't follow sitcom etiquette, as canned laughter and crass obscenities mix like water and electricity.  It would have been a treat to see Disjointed defy the standards a little longer.

The Muppets

Weed was never on display on this failed 2015-16 ABC revival.  However, the Jim Henson creations took on more of an adult tone during this entry, attempting to emulate The Office.  Adult discussions including cannabis were discussed at length.  If The Muppets was bold enough to address, why light your torches every time weed is discussed?  The Muppets' taboo breaking move leads readers to wonder what else was on display with children's entertainment over the years.  Classic Tom and Jerry and Bugs Bunny cartoons frequently displayed alcohol and cigarette use, so why not distribute the weight evenly on educating children about vices?

How I Met Your Mother

Wanna sandwich?  One of television's sleekest CBS staples from 2005-14, the How I Met Your Mother followed an ensemble of upscale working professionals.  The series' ensemble steered more toward drinks during its earlier run.  However, the network began pushing the ensemble into green territory during its last two seasons.  More clever, the group developed the code for "sandwiches" when coordinating their pastime.  Only one physical display occurred where Ted and Marshall were stoned during a concert.  But who hasn't done that!?  The series displayed an appealing group of characters who grabbed their sandwiches at appropriate time.  They weren't firing up a bowl during their lunch break or disrupting their surroundings.  They found their balance between adventure and responsibilities which led them to said adventure.

TVRG Snapshot: Mom Season 2 (2014-15)

Looking for an established show to binge or relive old glories and blunders?  If mild spoilers don't deter and readers like a preview of what they can't wait to see, take a glance and locate a new series to add to your collection.  Look back  and explore the 2nd season of CBS' Mom, a make it or break it time which the sitcom succeeded.  


PREMISE 

Following the events of SEASON 1 , the Plunkett women continue to explore sobriety while gaining new challenges.  They face homelessness, a mild dose of luxury thanks to a recently sober connection, a shocking death and a wider bandwagon of ladies finally on the wagon.  Christy (Anna Faris) struggles through the setbacks fighting off estrangements from her children, Violet (Sadie Calvano) and Roscoe (Blake Garrett Rosenthal), while Bonnie (Allison Janney) enjoys a well-deserved romance with Alvin (Kevin Pollack).  Several characters made surprising changes to their lifestyles, while the sober ladies finally gained like friends with a weakness for the spirits.


BEHIND THE SCENES 

Having narrowly survived disappointing demos the prior season, CBS opted to give its neglected sitcom some exposure.  On the other side of the coin, Mom's show runners went for broke and improved the pacing.

Having resided on Mondays at 9:30 the prior season, Mom went on the move in the 2014-15 season with three moves.  CBS opted to update the 9:00-10:00 hour to pave the way for debuting Scorpion, leaving them to initially move Mom up one hour to 8:30 to directly follow The Big Bang Theory {1}.  On September 25, 2014, the network opted to swap Mom with fellow sophomore sitcom The Millers, moving Mom to Thursdays at 8:30 behind The Big Bang Theory.  Mom debuted on October 30 to a sturdy upgrade, matching the pilot's debut at a 2.5 Live/Same Day 18-49 demo.  Growth continued throughout the season, reaching a series high 2.8 in January and February.

Adjoining Chuck Lorre sitcom Two and a Half Men ended its 12-season run, leading to the launch of new sitcom The Odd Couple.  CBS rotated Mom to the back of the schedule behind a Big Bang Theory rerun to not only give The Odd Couple excellent support, but also test Mom's strength without a lead-in.  Ratings trickled between 1.9-2.2, acceptable enough for CBS to grant a 3rd season.  A third move came later in spring to 9:00, the final move where the series rests as of 2020.


PLOT HIGHLIGHTS

The 2014-15 season opened with Christy slipping off the wagon in a cleverly written slip dream.  Where she would fall was worse as she concealed some gambling blunders, leaving the Plunketts losing their modest and inviting home.  Exploits followed the ladies struggling to locate a new home, as well as facing poor decisions from the past.  Christy's father and Bonnie's ex Alvin became a prominent player as he and Bonnie rekindled their old affair.

The action in the Rustic Fig where Christy cried became sparing while the AA meetings ramped up. Wealthy lush Jill Kendall (Jaime Pressly) and weeping nurse Wendy Harris (Beth Hall) joined Bonnie, Christy and Marjorie (Mimi Kennedy) in hijinks and sober living.  Having shamelessly stereotyped stoners the prior season, Baxter (Matt L. Jones) surprised all by cleaning up his act and taking up with wealthy new girlfriend Candace Hayes (Sara Rue).  The Plunkett household was stricken with an unexpected death midway through the season, leading to one of the ladies falling off the wagon.  Not all was bleak as Bonnie located a new profession she schmoozed her way into, and Christy not only earned a promotion, but picked up a long forgotten dream and envisioned becoming a lawyer.


ENSEMBLE

Showrunners swapped contract spaces by upgrading Mimi Kennedy to contract status as Marjorie Armstrong, while Spencer Daniels was downgraded to recurring as Violet's stoner boyfriend Luke.  Writing shifted the balance to more recurring characters on display, while half of contract casts' appearances became scarcer.  Sadie Calvano (Violet) and Blake Garrett Rosenthal (Blake Garrett Rosenthal) saw less appearances following the homeless arc or were window dressing in scenes, while Gabriel (Nate Cordry) and Chef Rudy (French Stewart) only populated supporting roles when Christy was waitressing/sobbing.


Where the series lacked material for those contracted, they made up with a richer supporting roster.  Jaime Pressly broke her abrasive white trash typecasting for hot mess socialite Jill Kendall as Kevin Pollack heavily populated scenes as Alvin Biletnikoff during the first half of the season, followed by Octavia Spencer's Regina making a heralded return for the later part of the season.  Other recurring character enjoyed ample air time such as Baxter's manipulative girlfriend Candace (Sara Rue), alcoholic nurse Wendy (Beth Hall), recovering lawyer Steve (Don McManus), Christy's Armenian landlord/Marjorie's love interest Victor (Jonny Coyne) and Alvin's vindictive ex-wife Lorraine (Beverly D'Angelo).

Mom continued to struggle with shaping the cast members which worked, likely why a large infusion of recurring players arrived.  Episode 11's events represented a tonal shift as it placed more focus on the ladies' efforts to stay sober vs. being two trainwreck alcoholics bumbling through life.  The last half of the season located its consistency despite a ratings drop after losing it's Big Bang lead-in.  By the close of the season, the action centered on the AA ladies, cementing the tone of the series for the remainder of the run.

NOTABLE SOCIAL ISSUES

Few major social issues outside of alcoholism were explored this season.  Whereas the prior season had teen pregnancy as its focus, smaller issues traipsed the 22 episode in welcome punches.  Most notable was grief as Bonnie struggled gravely (no pun intended) for the last half of the season.  Opioid addictions also were touched upon, as well as DUI ramifications.  Domestic abuse became a saddening backstory, and a mild play on sexual harassment punctuated a landmark episode for Christy.  Struggles of the classes and education took center stage with affluent characters such as Jill and Candace contrasting Bonnie and Christy's financial ruin.  While Candace kept an envious Christy wishing she had more financial stability, fellow lush Jull reminded her just because one has affluence and privilege does not leave them immune from the treacheries of addiction.


WHAT WORKED?

Arc storytelling has always worked for Mom in all 7 seasons.  Whether to convey a serious message or give the ladies a pleasant detour, the serialized 3-4 episode tales are where Season 2 mined its best material.  The homeless arc not only defined Bonnie's new purpose besides being the crazy mother, but forced Christy to atone for her reckless decisions.  The grief arc changed the game as the ladies' world changed for better and worse.  Both received a brief reprieve from poverty while Christy finally discovered another branch of family.

The last arc of the season displayed an addict's fall (literally) as an injury led to three episodes of a relapse, displayed front and center for viewers to jerk between laughing and cringing.  Pay close attention, as Season 2 carefully stages elements to be used later such as the lawyer arc and gambling woes.  Mom doesn't resort to thrown together insta-problems, but rather leaves indicators in plain sight to be used later.

Outside of the arcs, character development for the leads became a priority for writers.  Christy's fairytale vision of a lawyer ignited as she used her stripping experience to help bumbling lawyer Steve (Don McManus) win a case.  Jill's manse became a posh escape for several ladies' grim lives, and when not lavishing in Jill's riches, the AA ladies made their local bistro an appealing hangout.  Writers received the memo to dial it down on Christy's horrid Rustic Fig workplace and instead handed us a lovely hangout vs a toxic workplace peppered with doses of Chef Rudy's amorous behavior.  Bonus for constructing Marjorie's lovely and inviting (yet covered in cat hair) home which the Plunketts briefly stayed.  And there after showed up to dump their problems.


WHAT IS BEST FORGOTTEN?

Christy's gambling leading to eviction led to entertaining changes for Bonnie and Christy.  And is best forgotten, as they featured some of the grimmest backdrops with the family forced to take refuge in a no-tell-motel riddled with meth labs and porn shoots.  Addiction is ugly enough to look at in every episode, and be grateful this remained a temporary eyesore for viewers.  The ladies' angst reached frightening heights during the relapse arc, running the risk of making the leads unlikeable due to their bitterness.  Tensions between Christy and her children also were a downer as eldest Violet plotted her escape from the chaotic environment and youngest Roscoe drifted closer to his fathers' more stable homestead.

Crassness hit its height this season as the ladies displayed they were equal opportunity offenders as males with toilet humor.  Though entertaining, Bonnie taunting her rival with a visual of a hoo-ha pushed the boundaries of network television and made neighboring sitcoms Two and a Half Men and 2 Broke Girls blush.  After her rival boasted about she had her late ex were together for 30 years, Bonnie's priceless insult of "From what he told me, so were your legs!" would have sufficed without Bonnie's visual mentioned above.  Crass is fine, in moderate doses.


ADVICE TO NEW VIEWERS BINGING THIS SEASON 

The show gets better as it moves along.  Season 2 began shaking off what didn't work, leaving space for more appealing backdrops and purposeful characters.  Majority of what showrunners delivered this season succeeded, as well as set up dynamic, consistent plot and character opportunities in season 3.  Unlike most tired series late in their run who rewrite history to deliver a fresh plot, Mom valued its past and held its prior deliveries in regard for better or worse.  Season 3 featured many great arcs, another untimely death and a balanced cast, so stay tuned.

To check out Season 3, click HERE


TVRG Snapshot: Mom Season 1 (2013-14)

Looking for an established show to binge or relive old glories and blunders?  If mild spoilers don't deter and readers like a preview of what they can't wait to see, take a glance and locate a new series to add to your collection.  Look back  and explore the debut season of CBS' Mom, one which thankfully the showrunners figured out how to write as they went along. 


PREMISE 

Middle aged and newly sober waitress Christy Plunkett (Anna Faris) is forced to reconnect with her recovering mother Bonnie (Allison Janney) as both muddle the obstacles alcoholics face when life tests them.  Waitress Christy’s barely hanging on by her fingernails as she’s sleeping with her married boss Gabriel (Nate Cordry), dodging latent crassness from chef Rudy (French Stewart), irritated by dead beat stoner ex-husband Baxter (Matt L. Jones) and handling woes of raising teenage Violet (Sadie Calvano) and young Roscoe (Blake Garrett Rosenthal).  Violet pours vodka into Christy’s wounds she cannot enjoy as she’s 17 and pregnant with stoner Luke’s (Spencer Daniels) child. 


BEHIND THE SCENES 

CBS royalty Chuck Lorre already dominated the sitcom slate with The Big Bang Theory, Two and a Half Men and Mike and Molly.  Lorre expressed desire to explore a topical sitcom and pitched Mom which dealt with two recovering alcoholics muddling through day to day struggles.  Given CBS had a full slate with freshman We Are Men, The Crazy Ones, The Millers and Friends With Better Lives along with Mom, 4th year veteran Mike and Molly was shelved from its 9:30 timeslot on Monday.  Mom debuted in its timeslot behind 2 Broke Girls, debuting to a modest 2.5 18-49 demo rating.  Episodes outside of the pilot rated between 1.8-2.4 in inconsistent delivery. 

2013-14 marked the first year CBS felt the burn of massive ratings decline which hit its neighboring competitors, taking a toll on its tentpole Monday sitcom block.  We are Men nosedived shortly after its debut, forcing CBS to pull it from the 8:30 timeslot and sliding 2 Broke Girls into the space to distribute the Nielsen weight.  

Mike and Molly lead into Mom's 9:30 slot, giving the series less strength and development and forcing it to wallow at the back of the pack in CBS’ sitcom ratings.   Come spring, every sitcom except aging Two and a Half Men, Robin Williams/Sarah Michelle Gellar showpiece The Crazy ones and Mom.  CBS ultimately axed The Crazy Ones, allotting declining Two and a Half Men a final 12th season and renewing Mom. 


PLOT HIGHLIGHTS

The umbrella story from pilot to season finale revolved around Christy’s teenage daughter discovering she is pregnant.  Given Christy and Bonnie both bore daughters at similar ages, the household musters through the crisis with humor and anecdotes of their own experiences.  Both women struggle with not only the consequences of their children suffering due to their drinking, but pitfalls threatening sobriety.  Christy's addiction crawls out in a fling with an addict fireman, while Bonnie falls off the wagon and pays the piper.  Poor choices lead to Bonnie losing her home and job, forcing a reluctant Christy to take her in.  Throughout the chaos, Christy’s cancer-stricken sponsor Marjorie (Mimi Kennedy) and embezzling addict Regina (Octavia Spencer) supported the woman via their Alcoholics Anonymous meetings. 


ENSEMBLE

To declare Mom’s freshman season had a bloated cast is likening that Roseanne’s a tad moody on Twitter.  The issue lied with the fact the pilot was designed to center on Anna Faris as the lead, evident of her starring title.  The other three folds – Her mother, workplace and family, were all designed to orbit around her.  This dynamic changed as tour de force Allison Janney upped the ante with Bonnie, pulling the action to the family and the AA ladies.  This left the work scene forced to be incorporated with little use except plot-driven twists.  There was no shortage of capable performers from Season 1, just a shortage of great material for all to play.  Aside from Janney and Faris shining, Mimi Kennedy, Octavia Spencer and French Stewart knocked it out of the park in their deliveries. 

NOTABLE SOCIAL ISSUES

Even in its weakest seasons, Mom never failed to crackle when tackling social issues.  Season 1 dealt not only with teenage pregnancy, but adoption, parental alienation and the effects alcoholics have on loved ones.  Bonnie's relapse showcased an addict at their bottom.  Not only as the audience suddenly discovered in one episode she fell off the wagon, but the signs were in plain sight for her loved ones failed to recognize.  

Violet's pregnancy thankfully steered past the overdone abortion discussion inside one minute while leaving the canvas for discussing another A-word: Adoption.  Seeing the trainwrecks the prior generations raised as teen mothers, Violet decided to break the cycle and locate a suitable family for her unborn daughter.  The teenage pregnancy arc covered ample ground including religious parents opposing the situation, financial and educational obstacles, locating a couple to select as parents, and a jarring separation upon delivery.  And more frightening: picking out a prom dress 8 months pregnant.  Violet must not have had MTV to take notes from Teen Mom.


WHAT WORKED? 

Anna Faris and Allison Janney's chemistry is surefire, and likely a deciding factor behind the scenes at CBS for renewal.  It is evident from the pilot Janney's role was meant to be supporting to Faris given Bonnie's collected and condescending delivery.  As Janney developed the role, Bonnie unleashed her riproarious, unpredictable nature, consuming every scene she played while not upstaging Faris' Christy.  The family unit clicked during this season due to a consistent arc revolving around the pregnancy.  All delivered emotional punches, able to correct the tone prior to the forced laughtrack's beats.  

The AA meetings started as a supporting element and evolved into the base for exploration inside the mind of a recovering addict, thanks to Marjorie.  With a plethora of excitable characters front and center, Mimi Kennedy managed to even the tone with Marjorie's sage wisdom peppered with a frightening backstory.  As Mom began locating the balance between family life and AA, writers orchestrated material for Season 2 with the discovery of Christy's father Alvin (Kevin Pollack).  Strong plots aside, several performers unleashed memorable moments, such as French Stewart's Chef Rudy's tantalizing fling with Bonnie, Octavia Spencer's Regina showing grace as her character faced an uncertain future after ruin.  And best of all, Mimi Kennedy, again.  'Nuff Said.


WHAT IS BEST FORGOTTEN?

The irony of Mom's 1st season is it is the weakest on display.  The issues stemmed the fact the writers were figuring out what to do with the show, having Chuck Lorre's meal ticket to get onto CBS' schedule.  They corrected the imbalance by scaling back on the restaurant scene.  For a polished establishment, it depicted the worst days of a recovering alcoholic's sober life.  A spineless, undefined boss Gabriel who merely exists for a plot-driven affair.  A narcissistic, unlikable chef who was given few redeeming qualities.  And the place lead Christy cried the most, including the grating opening scenes which surprisingly didn't turn viewers away.

Outside this deceivingly beautiful trap, stoners Baxter (Matt L. Jones) and Luke (Spencer Daniels) were in the way in every scene.  Poorly developed and a mere punchline, they took space in a large ensemble as others who deserved the limelight fought to earn screen time.  The tone in Season 1 was not the bleakest, yet it is burned into longtime viewers' heads as the one where no one would trade places with the two leading ladies.


ADVICE TO NEW VIEWERS BINGING THIS SEASON 

Hang in there; it gets better!  Several series have lulls and glory, and the first season indeed was the greatest lull.  If a new viewer feels guilt about missing the first season, they fret not as the other season delivered with a greater punch.  Season 1 is not so dull a viewer should keep it on in the background while cooking, cleaning or needing background noise.  It instead requires patience as better material is around the corner.

To check out what happened in the well-written Season 2, click HERE and get caught up.