Hulu:
After a strong debut week, it was an even bigger week for The Handmaid's Tale this week on Hulu, as the series topped the chart three times this week. It was in the top five for nearly the entire week, only slipping to #6 on Saturday. Also looking strong was Good American Family, which topped the chart twice, only going as low as #4 on the chart over the last week. Just two episodes remain in its run, but it's been a very strong performer ever since its debut, and its performance has held up throughout its run. Also going to #1 this week were two ABC shows: American Idol and 9-1-1. They were the two ABC shows that hit #1 last week as well. 9-1-1 looked a bit stronger than the previous week, spending most of the week in the top half of the list, aside from a short-lived, sudden drop to #12 on April 17. As usual, American Idol dropped dramatically as the week went on, but it remained in the top fifteen all week. The Rookie was, once again, a top performer on Hulu, despite not hitting #1. It peaked at #2 on the chart, and never dropped out of the top ten. Will Trent was a good deal weaker than it, as usual, but still charted through the week, peaking at #3 and spending five days hovering below the top ten. Abbott Elementary finished its fourth season by similarly peaking at #3, after spending the rest of the week at #10 or slightly below. The Conners made a lone appearance at #14 on Friday. 20/20 charted four days, peaking at #7. Grey's Anatomy peaked at #2 this week, and like 9-1-1, spent all but one day in the top 10. Doctor Odyssey remained by far the weakest ABC drama, peaking at #7 and charting for four of seven days. Shark Tank, The $100,000 Pyramid, Bad Romance, Celebrity Jeopardy and What Would You Do? all failed to chart this week at all. Daytime soap General Hospital charted five times, peaking this week at #5. As always, Fox looked far weaker on the chart than ABC. Extracted and Next Level Chef performed the best. Extracted peaked higher than any other Fox show, reaching #3 on the chart, charting five days this week - its best showing yet. Next Level Chef charted four days, and peaked at #5 on the chart. It was a rough week, as always, for the Tuesday dramas. Alert made just one appearance on this weeks chart, at #7, while The Cleaning Lady was a one-day entry for the fourth week straight, hitting #9 this week. That was equal to Fox's highest-rated linear performer, with The Masked Singer also charting one day at #9. The Floor was a bit better, charting two days and peaking at #8. The Sunday comedies were mostly irrelevant on Hulu once again, with Family Guy having its worst week of the season, peaking at #9 and charting only two days this week. To its credit, that's still better than The Simpsons, Krapopolis and The Great North, Fox's only shows this week that failed to chart at all. Freeform somewhat-surprisingly put a show on the list, with British import The Stolen Girl, a Disney+ original in its native country, entering strong this week, peaking at #5. Hulu's new reality show Got to Get Out has struggled to gain any traction. After debuting at #11 on the chart last week, it remained on the chart for just three days this week, its best showing being a #13 placement on Sunday.Disney+:

For one day this week, a TV show was back on top of the Disney+ list. Daredevil: Born Again was their #1 offering on April 17, the first full day after the release of its first season finale. The Marvel series has had a somewhat middling run on the chart this season, but ended it run on top. It was one of the few shows on the chart. Good American Family was the only other regular series to chart the entire week, staying towards the middle of the chart. Freeform drama The Stolen Girl debuted on the chart at the end of the week at #7, down to #8 the day after. National Geographic special Titanic: A Digital Resurrection also charted through the week, always in either third or fourth. Ice Age: The Great Egg-Scapade, an Easter special that originally aired on Fox, made it to the chart on Saturday ahead of the Easter holiday, at #6. Mufasa: The Lion King had another dominant week on the chart, but its dominance was a bit strange. It was the #1 offering on Disney+ the first three days of the week, then dropped off the chart entirely the next two days, then went straight back to #1 for the last two days of the week. In its absence, Shark Tale went to #1 on the chart, with A Goofy Movie, An Extremely Goofy Movie, Rio 2, Avengers: Infinity War and Endgame, and Nations Geographic documentary Pets being among the multi-day film entries on the chart.
Note: Disney+ is the only service not to provide a separate list for TV shows and movies. On this chart, movies are listed in bold.
Peacock:
Law & Order: SVU remained Peacock's most prized asset this week, topping their chart the entire week once again. It was a big week for the Law & Order franchise in general, with Law & Order: Organized Crime finally returning after being off the air nearly a year, this time as a Peacock original (save for a one-off NBC airing). Chris Meloni's spinoff was no match for its parent show, but Stabler & friends looked pretty solid, first starting at #6 on the chart on Friday and then rising to #4 the next day. That's a higher peak than most NBC series achieved this week, though a bit lower than the three Chicago series. In a unique situation, all three Chicagos took turns as the highest-ranked show in the franchise this week. Med was the highest Chicago the first five days of the week, then Fire was strongest on Friday, and then PD was strongest on Saturday, with all three peaking at #3 on the chart. The other Dick Wolf show, Law & Order, was easily the weakest, but it did make it back onto the chart, likely helped by its crossover with the powerful SVU. The other NBC Thursday series, Found, which aired on a special night this week, had a decent week on Peacock. It charted two days, which is better than normal, and peaked at an abnormally-high #3, its highest showing since the beginning of the season. Saturday Night Live and Dateline NBC also charted for a day each, the only other NBC series on the chart this week. The Americas, Suits LA, The Voice and Grosse Pointe Garden Society all failed to chart at all this week. That was business as usual for most of them, but it's a bad sign for Grosse Pointe, which charted one day last week after shifting to Fridays, suggesting that some of those prospective new viewers that sampled the show the prior weekend didn't stick around. Several Bravo shows also charted, including Real Housewives of Beverly Hills and Atlanta, Summer House, Below Deck Down Under and Southern charm. RHOBH and Summer House both managed impressive #2 peaks on the chart.Note: Peacock's top 10 chart updates throughout the day. For consistency, all data collection is done daily at 2 PM.
Paramount+:
With 1923 now dead and buried, CBS shows came roaring back on Paramount+, with six of seven days this week being led on the charts by CBS series. Only NCIS spent more than one day this week at #1. The rest of the shows to hit #1 were a collection of CBS's biggest hits: Tracker, Survivor, Fire Country, and Matlock, which saw a huge linear surge for its finale that appears to have been replicated on streaming. The only Paramount+ original to hit #1 this week was MobLand, which was blocked from #1 in previous weeks by fellow Helen Mirren-led series 1923. It was #1 on Sunday, and charted six of seven days this week. Though it's now ended, 1923 spent most of the week on the chart. It began at #2 on Sunday, and descended down the chart from there, eventually dropping off the chart on Saturday. Of the remaining CBS series that didn't hit #1, Watson had its best showing in several weeks, hitting #5. The Equalizer, meanwhile, had a below-average showing, charting at #10. Monday night sitcom, The Neighborhood charted four days this week, peaking at #5. FBI charted at #2 and remained on the chart for two days, while FBI: Most Wanted returned to the chart at #10 for one day. Ghosts remained a top performer, being one of only two CBS series to chart every day, and peaking at #2. Georgie & Mandy also looked strong, peaking at #3 and charting three times this week. SWAT charted at #8 on Saturday. Poppa's House, NCIS: Origins, FBI: International, The Amazing Race and NCIS: Sydney were the CBS only shows that failed to chart this week. Paramount+ original Happy Face charted four days, peaking at #3. Longtime CBS mainstay-turned-Paramount+ original Criminal Minds charted each day this week, peaking at #4. It will likely be an even bigger power player on Paramount+ when it returns with new episodes in just a few weeks.Note: As with Peacock, Paramount+'s top 10 chart updates throughout the day. For consistency, all data collection is done daily at 2 PM.
Max:
It was a week of major change on Max, as the streamer's two titans, The Pitt and The White Lotus, have now exited the airwaves for now - but not the chart. The Pitt started off the week with one last day atop the chart before it began descending down the list, where it remained consistently in the top five, much like The White Lotus, which peaked at #2 this week. The biggest draw on the service this week, though, was The Last of Us. The second season of the hit video game adaptation returned this week on HBO, and the show's been #1 on Max ever since, showing no sign of slowing down since then. Lead-out The Righteous Gemstones also looked strong, spending two days at #2, five days in the top five and the entire week in the top ten. While that's down a bit from last week, it was still often ahead of Max's Emmy-winning success story Hacks, which itself had a solid first week, staying in the top ten the entire week and peaking at #2, though it was the weakest of the five tentpole HBO/Max scripted series this week. Last Week Tonight remained a solid entry on the chart, though it had a weaker showing than usual, in part due to the increased competition, peaking at #5 this week. Real Time with Bill Maher had a higher peak, at #3, but far fewer appearances, charting three days this week. Unscripted series had a more limited presence on the chart than usual this week, but Hollywood Demons remained a strong entry, with ID continuing to provide Max with successful content. TLC also had several entries, as you can always count on the 90 Day Fiancé series popping up on the chart at some point in the week.