Showing posts with label great news. Show all posts
Showing posts with label great news. Show all posts

’Great News’ Canceled After Two Seasons



Photo: NBC

NBC has decided to cancel Great News after two seasons. The sitcom took place in the world of television news and starred Briga Heelan and Andrea Martin. The second season of the comedy averaged a meager 0.73 in the Adults 18-49 demographic. The finale garnered an abysmal 0.5 rating. The series was down about 7% from its season one average. Great News was created by Tracey Wigfield and Tina Fey was an executive producer on the show. Check out all of our Great News reviews here. This was a correct prediction by the TV Ratings Guide.


What do you think of this news? Would you have watched a third season? Leave your thoughts in the comments below.

Great News to be Renamed ’Chicago News’ for Season Three

NBC's lowest-rated comedy is getting a new look in its just-ordered third season. Great News, which aired in the cushy post-Will & Grace slot this season, drew little interest from viewers and was one of the big four's lowest-rated comedies this season. The network hopes to try once again to boost the show's anemic ratings. This time, they're rebranding the series and shipping its main characters to Chicago, to make the comedy the newest member of the popular Chicago franchise, which includes Chicago Fire and Chicago Med. All of the show's original stars are set to return for the new Chicago-based season, which will kick off with a four-way Chicago crossover, set to premiere in September 2018.

What do you think of this fake news? Would you watch Chicago News? Let us know in the comments below!

2017-18 Week 3 Sitcom Scorecard -- Initial Predictions Are Made For Renewals



Written Grateful Phoenix Powers Solar Calculators by Bridger Cunningham

Image result for tina fey great newsAfter 2-4 showings of data, The Sitcom Scorecard has made its first predictions for sitcom renewal vs. cancellation, ranging from 20-100% renewal odds.  Criteria to evaluate the odds holds a delicate balance between Nielsen performance (the largest factor), In-House or Outsourced productions (large factor), scheduling needs, retention and episode counts to reach the syndication/streaming line (the smallest factor).  These calculations are subject to change, and most will change as the season progresses.

Sunday evening enjoyed generous helpings of FOX's favorite banquet, Football Inflation.  Bob's Burgers took the evening off due to tight scheduling, leaving the Simpsons to enjoy a healthy boost to a 2.2 demo, up 57% from last week's 1.4 entry.  This extreme boost also powered the show from an 11th Place tie in the Middle of the Pack to 5th Place the leading classification.  Ghosted matched last week's 1.4, retaining 63% of its rich lead-in (Son of Zorn retained 59% last year with a 1.6).  Family Guy ticked up a tenth to a 1.4, a disappointing gain considering the same showing last year garnered a 1.7.  And Last Man On Earth gained one tenth as well.  However, LMOE's rooting value is it is holding steady against an overall trend of network erosion.

CBS Mondays exhibited heavy losses on October 9 as The Big Bang Theory lost three tenths and landed at 2.9, down from last year's 3.5 registry for the 10th season's 3rd episode.  Shall we have a moment of silence?  Nahh....  The show is beyond healthy in its 11th season.  9JKL dropped two-tenths as well, landing at a dismal 1.4.  This is troubling, as the show is 36% lower than Kevin Can Wait's 2.2 in the same 8:30 timeslot on 10/10/2016.  9JKL retained 48% of TBBT's lead-in, whereas KCW heralded an impressive 63%.  Speaking of KCW, it delivered a disappointing 1.2, down one tenth from last week and down 14% from 2 Broke Girls' performance in the same 9:00 timeslot one year earlier.  Me, Myself & I dropped below the 1.0 line with a 0.9, matching The Odd Couple's same delivery in the 9:30 timeslot the year before.  Before declaring this show dead, please note MM&I's retention was 75% vs. TOC's 64%.

Tuesday October 10 delivered softer ratings for the six shows over ABC and FOX.  The Middle held strong with a 1.4, only shedding one tenth.  A pity this show is on its way out, as Fresh Off the Boat fell three tenths from last week's showing to a 1.1.  Blackish retained a modest portion of its debut rating with a 1.3, tying for 2nd place in its respective timeslot.  And The Mayor polled a 1.0, down 20% from its debut rating, though up 10% from last year's showing of The Real O'Neals' 0.9.  FOX remained screwed into 4th place for both of its showings as The Mick dropped a tenth to 0.8, and Brooklyn 99 made a mild bump a tenth with a 0.7.

ABC Wednesdays appear to be losing steam, with only American Housewife holding steady at 1.4 on October 10.  The Goldbergs (1.5) and Modern Family (1.8) each dropped a tenth, and Speechless' alarming freefall tied its series low 1.1 with a two-tenth drop.  A disappointment, as this is one of ABC's most lucrative timeslots.  Thursday, October 12 proved successful for NBC with slight losses.  Superstore ticked down to a 1.1, The Good Place posted a decent 1.2, Will and Grace retained 90% of their previous week's helpings with a 1.8 and Great News held steady at a 1.0.


THE NUMBERS ARE IN

Before breaking down the calculations, the first error of the season has occurred in the Sitcom Scorecard, as Bob's Burgers had a shiny green "RENEWED" label attached.  This has been stripped in place of a purple "TBD" label, as only one showing is available for data.  Also, Brooklyn 99's episode count was off by 2 episodes.  Noticeable changes from Week 2's scorecard is an accelerated need to amend the entry deltas in each classification.  Both Leading the Pack and The Middle of the Pack's entries were relaxed a tenth (1.45 for Leading, 1.20 for Middle) as averages dropped faster than anticipated.  Either way, TVRG is letting its cherry rip on a ripe sitcom season.

100% -- CERTAIN RENEWAL

Currently, Fresh Off The Boat resides alone in this category as it will hold 82+ episodes by May 2018.  It has been bashed and abused around the ABC schedule since 2015 with 7 timeslot changes and proved its sturdy value last spring as it retained its viewers while nearly all sitcoms suffered devastating spring ratings.  And The Middle's final season announcement leaves a demand for a replacement on ABC's newly established comedy evening.  FOTB is outsourced, but would ABC really ax a show this durable when The Mayor ranks below and Speechless is exhibiting a Nielsen drop?  Not impossible as Channing Dugney runs the network, but foolish and unlikely.

90% -- LIKELIER RENEWAL 

Superstore and Family Guy hold stronger promise for renewal than the next classifications as they are the 2nd-strongest performers in their respective stables.  Superstore will have 55+ episodes amassed in 2018, and Family Guy hits 300 episodes this season.  Five more showings of competitive ratings will earn these stronger links upgrades to 100% if they continue above their network bar.

80% -- LIKELY RENEWAL

Kevin Can Wait, American Housewife, Black-ish, The Good Place and Last Man on Earth are a necessity to keep their respective networks' schedules intact.  KCW has experienced appalling drops from the 2.3 premiere, but has outranked every CBS show not adjacent to The Big Bang Theory.  Unless KCW drops to a 0.9 by December, the show is likely to return in some form next season.  American Housewife is down from last season's run on Tuesdays.  But it stands as ABC's strongest yet to be renewed player.  Black-ish is also down, but valued as it stands as ABC's strong tentpole in the Tuesday 9:00 hour.  It is taking 2nd in its timeslot against This is Us, something worthy of writing home about.

The Good Place has returned to a strong season on NBC, and is also gaining mild exposure as the Will and Grace lead-in.  Unless the network decides to scale back to two showings of sitcoms per week (an unlikely odd, as NBC is embarrassed about losing its stranglehold on the evening), The Good Place is needed to command a strong(er) performance.  And Last Man on Earth ranks toward the bottom of the pack with what many networks still brandish as embarrassing ratings.  However, they reside on Sundays at 9:30 and have housed stable performances in-line with the last season.  LMOE will have 67 episodes by 2018, so why not keep a stable performer in play?  If the show ends, it will likely be due to a Nielsen drop or the writers deciding to retire the serialized premise.

Five more weeks of performances are needed to change these shows' renewal predictions.  Otherwise, these shows are counted as a likely guest seated in the networks' 2018-19 banquet.

70% -- LEANS RENEWAL 

ABC's Speechless and FOX's Ghosted rank in the same position in Nielsen performance and mid-comedy-block-scheduling thus far.  Both are capable of doing better, yet blend into their timeslot landscape.  Ghosted has mildly improved its predecessor Son of Zorn's performance as it narrowly retains more from its surrounding performers.  Yet a runaway hit would have pulled a 1.6 or higher out of the Simpsons' football-inflated 2.2.  Speechless has hit a creative lull in its 2nd season, down considerably from the 1.8-2.0 sensational ratings it enjoyed early in its run.  While surrounding supports Goldbergs and Modern Family are both down this season, Speechless is down further.  This week's stark drops are alarming, and continued losses or patterns below 1.2 may warrant a downgrade.  Ghosted and Speechless have yet to give warrant for cancellation.  Rather, a warrant seems to be in order for being moved to a less desired timeslot in 2018.

55% -- ON THE BUBBLE LEANING RENEWAL

Great News and The Mick both debuted mid-season in 2017.  The Mick is delivering under performance with 0.9 entries out of 1.1 and 1.2 lead-ins and taking 4th Place regularly.  Great News experienced an inauspicious late-season debut and was given a surprise renewal.  It currently retains half of the rich Will and Grace lead-in, leaving it an obvious underperformer.  ABC Freshman The Mayor debuted with two strikes against it, as it not only received the network's worst timeslot (Tuesday 9:30), but also mixed reviews from critics. However, these shows have pros and cons to evaluate:

PROS -- FOX Tuesdays have not delivered strong ratings for some time, and The Mick is improving the 9:00 hour from the season before.  It is generously overperforming Brooklyn 99 at 9:30.  B99 is likelier to get axed first and New Girl is finished in 2018, so would FOX can The Mick too?  Their schedule is still tenuous with Friday being problematic.  Over at NBC, they are desperate to revive sitcoms on Thursdays and have laid the perfect foundation.  NBC seems jettisoned on keeping all sitcoms on this evening and also fancies giving shows 13 episode runs.  W&G only airs 16 episodes this season, and Trial & Error needs a home.  Great News has earned a home through 2018 at the least, as NBC would scramble to locate a fit for its least-desired sitcom timeslot.  The Mayor is running a hair higher than The Real O'Neal's and has yet to plunge fractional.  Also, Speechless is tanking early in its Sophomore year and has become a fire spot for the network.  A 1.1 on Wednesday makes it weaker than any show pulling a 1.0 on Tuesday.

CONS -- The Mick is already seeing fractional deliveries in its Autumn numbers.  If FOX locates a winning drama, they could scrap the troubled evening and load comedies on Sundays.  Great News is the weakest comedy NBC has to offer and may be dispensed if space is needed.  And it will not take much to impeach The Mayor if it begins seeing 0.8 ratings regularly.  The campaigns are stacked against this cursed timeslot.

These shows have a season of performance to defend their renewal, so stay tuned, as they still have promise.

45% -- ON THE BUBBLE LEANING CANCELLATION

Unlike the previous classification, this phylum holds less promise for higher performance.

CBS currently claims sole ownership of this losing category with freshman comedies 9JKL and Me, Myself & I.  9JKLosingMyNielsens has squandered its rich TBBT lead-in, only retaining 48% of its performance only 2 episodes in.  These figures performed under last season's failure The Great Indoors and descend downward toward The Millers' appalling Autumn 2014 performance of similar measures.  It is also down 37% from last season's 3rd showing of post-TBBT lucrative KCW (1.4 vs. 2.2).  Me, Myself & Ilene Cancellation is already dropping into sub-1 territory with a 0.9 three weeks into its run, in line with The Odd Couple's 3rd episode in the Monday 9:30 timeslot.  The promising factor for MM&I is it retained 75% of the 1.2 KCW rating, whereas TOC only retained 64% of 2 Broke Girls' 1.4 showing.

The big test for these struggling sitcoms will come on Monday, October 30 when KCW leads the evening at 8:00.  If MM&I matches or outperforms 9JKL, it will be spared.  If it deflates further, it could be the choice to get axed.  Superior Donuts and Man With a Plan did not hit the 0.9 measure until late into Spring, and CBS may be willing to compromise Superior Donuts giving that benchmark vs. one of the newbies.  Also, Man With a Plan needs an anchor and can suffice in either the 8:30 or 9:00 timeslot.  October's performance will shine greater light on which show is stronger, and November will have fates determined if the shows continue to deflate lead-ins.

Another burgeoning question is would CBS consider a mid-October swap of timeslots to test each show's weights?  Stranger things have happened in CBS scheduling.

20% -- LIKELY CANCELLATION

Brooklyn 99 made the fast descent to this season's first endangered show, thanks to pitiful performances of fractional viewings in line with damaging Spring Doldrums numbers.  It is down 35% from last year's performance (0.67 vs. 1.03 for the season's first 3 episodes' data), and outlived its syndication goal.  And sadly, it has already matched last year's lowest sitcom, Making History's average.  Many may argue This Is Us's meta performance is harming the show, but competitors ABC and CBS manage to register showings above the 1.0 mark.  TVRG's Summer Project of profiling Historic Ratings sets a stark reminder that networks reserve the right to cancel shows in the Fall, even if they are a veteran.  CBS axed Rhoda in December 1978 midway through its 5th season, ABC fired Mr. Belvedere in December 1989 midway through its 6th season, and NBC tore down Veronica's closet in December 2000, 81 episodes into the 4th season.  Could the same fate befall B99?  If it dips to regular airings at 0.4 and 0.5, FOX may be prompted to give this show an early hook and showcase reruns or other ventures.

5% -- CERTAIN CANCELLATION

No shows have entered this last rites classification before slapped with the red CANCELLED label.  Keep an eye out though, as B99 is treading close if its average drops below 0.60.

FATES DETERMINED

This category traverses a greater bounty early in the season, as 7 shows have already had their fates determined vs. 2 in 2016.  RENEWED are ABC's The Goldbergs and Modern Family, CBS' The Big Bang Theory, FOX's unkillable Simpsons and NBC's Will and Grace revival.  And viewers shall bid ABC's The Middle and FOX's New Girl after 9 and 7 glorious years adieu after graceful runs as the 2017-18 is their FINAL SEASON.

EARLY RENEWAL PREDICTIONS

Predictions for pre-March renewals leave NBC's Superstore and The Good Place as mid-season champions.

NBC Renew/Cancel #0 [2017-18]: ’Will & Grace’ Already Renewed + Preseason Predictions

Predictions for 8/3/17


It's time for the first NBC Renew/Cancel post of the season. I'll be taking over this feature for the upcoming season. While the fall season hasn't started yet, NBC has already made some decisions. Also, I'll be making some preseason predictions for the veteran programs that will be returning in the fall. 



Will & Grace - The classic sitcom hasn't even returned yet, but it's already been renewed for a 10th season. It's probably not a great idea considering not all revivals have been rating hits, but it's good to have it out of the way.

This Is Us - The drama has already been renewed for a third season, but unlike 'Will & Grace', this one deserves it. 

The Dick Wolf Shows (Law & Order: SVU, Chicago PD, Chicago Fire) - All three shows are strong performers for the network and should have no problem returning. Unless they suddenly collapse in the ratings, they will stay in the 'certain renewal' column. 

Superstore - The workplace comedy will be entering its third season and currently has 33 episodes. With two more 22-episode seasons, the series will have a decent amount of episodes for a syndication package. Even without that, 'Superstore' is a solid performer in the ratings. The second season averaged a 1.1 in the Adults 18-49 demographic. That made it the second-highest rated comedy on NBC. Like the Dick Wolf shows, I'll be keeping it in this category unless it pulls some alarmingly low numbers.

The Good Place - 'The Good Place' was NBC's highest-rated comedy last year, so why is it not a certain renewal? It's because high-concept serialized comedies tend to fall a lot in their second seasons. Fox's 'The Last Man on Earth' fell nearly 30% in its sophomore season while ABC's 'Galavant fell over 50%. But, that doesn't really mean that 'The Good Place' is in any danger. NBC is giving it an 'America's Got Talent' lead-in for the premiere and it never fell below a 1.0 in the ratings last year. It's still likely to return, but I'm being a bit cautious with this one. 

Great News - This comedy was a flop. Period. Its ratings did not warrant a renewal, but it managed to come back anyway. This time, 'Great News' is getting a likely strong lead-in from 'Will & Grace'. I'm not sure that 'Will & Grace' will be big enough to boost the sophomore comedy or if 'Great News' will be compatible with it. This is why I'm keeping it in the "toss-up" category. The fact that it's getting a timeslot upgrade is keeping it from the 'cancellation' categories, but I'm still skeptical that it does well.

The Blacklist  - The drama will be entering its fifth season. The previous one fell over 30% in the ratings after a timeslot downgrade. This time, the series is getting another timeslot change and will air at 8 pm instead of 10. Considering that the series has fallen around 30% each season, I'm not expecting it to do very well. Ratings were just barely passable last season, so with another brutal drop, they'll be in disaster territory. Still, it was very steady towards the end of last season, so I think it's possible that it takes that late-season steadiness to a new timeslot.

Blindspot  - 'Blindspot' fell nearly 50% last year and will now be moving to Fridays. This means that the bar will be lower, but ratings will also likely fall lower. But, a move to Fridays isn't always a death blow. A move to Fridays helped ABC's 'Last Man Standing' and CBS's 'Hawaii Five-0' find new rating potential. I really don't know what to expect from this one, so it's a toss-up.


Poll of the Week

Which Returning NBC Comedy Are You Most Excited For?

Superstore
The Good Place
Will & Grace
Great News
Trial & Error
QuizMaker

The Trends Part 3: Less Reliance On The Super-Creator (UPDATED)

The Ratings Junkie Sunday, May 21, 2017
The Trends Part 3: Less Reliance On The Super-Creator (UPDATED)
Welcome to The Trends! In this season, I talk about the general trends we saw come out of upfronts. If you missed the first two articles, they are found here:
Part 1: Renewing More Low-Rated Shows
Part 2: Massive Time Slot Upgrades to Newer Comedies

Every network has one or two super-creators. For example, ABC has Shonda Rhimes, who has given them Grey's Anatomy, Private Practice, Scandal, How to Get Away with Murder, and The Catch. Her shows used to be automatic pick-ups, and although she is still a super-creator, her popularity isn't what it was even a year ago. While President Channing Dungey mentioned she'd take what Shonda would give her, the second season of The Catch did even worse than the first, and got canceled. Her newest entry, Still Star-Crossed, is going to air over the summer and doesn't have a ton of promotion. While it is airing after The Bachelorette, that far from means automatic hit. She does have two shows on next season's schedule; upcoming law drama For The People, as well as a Chicago Fire-like Grey's Anatomy spinoff. If those shows don't do well, with Scandal ending and How to Get Away with Murder declining, Shonda Rhimes soon may not have the presence she once did. Of course, Grey's Anatomy is still going strong.


While Shonda Rhimes is ABC's only super-creator, they were very close to having two more in Goldbergs creator Adam Goldberg and Blackish creator Kenya Barris. Goldberg gave ABC their midseason comedy entry Imaginary Mary, which was fractional throughout its run and promptly got canceled. He also had in development a Goldbergs spin-off named Schooled, which was to take place in the 90s starring a tertiary character. It wasn't ordered, and Adam Goldberg will have to stay content with The Goldbergs, when he could have had three shows on the air. Kenya Barris had an even worse last couple weeks. His drama pilot Unit Zero was officially passed on, and prized possession Blackish will air on Tuesday now instead of the comfy post-Modern Family time slot that it's known for its three years on the air. Furthermore, while some considered political comedy Libby & Malcolm to be a frontrunner of the pilot season, ultimately it wasn't ordered to series. With both of those passed on, it seemed like the Blackish spin-off would receive a series order. While it did, the backdoor pilot wasn't overly well-received, and the show will air on Freeform where it will almost certainly see much lower ratings.

The above is a key art for Dick Wolf's newest Chicago series, Chicago Justice. He's been cranking out a new show every season, with Justice being the fourth show in the franchise. While its ratings were nothing to brag about on Sundays, they also seemingly weren't terrible. Regardless, it is in a unique situation where a week after NBC released their fall schedule, and it was just recently canceled. Meanwhile, four post-Voice occupants--dramas Taken and Timeless as well as comedies Trial & Error and Great News--have been renewed with lower ratings. Deadline mentioned that Chicago Fire and PD haven't sold into syndication, which has gotten NBC to rethink the whole Chicago plan and maybe downsize. Even breakout freshmen hit Chicago Med, which fizzled out in its move to Thursday but still did better than those post-Voice shows, did not make the fall schedule. Furthermore, Dick Wolf was planning on making a reality show called Law & Order: You the Jury, but between both the existence and failure of FOX's series You the Jury, the consensus is that it probably won't ever make it to air. Wolf can take solace in the fact that his anthology series Law & Order: True Crime will be airing after This is Us, though the shows do not seem to be thematically compatible and it isn't an automatic success. While Dick Wolf is doing better than the days where NBC canceled both Law & Order and new spin-off Law & Order: LA, it seems that a Chicago show is no longer an automatic renewal. It also shows that four shows of one franchise on the air at the same time may be too much, and Dick Wolf fans would rather see Law & Order take on the theme of law than a Chicago show.

Over on FOX, they were very close to having a comedy super-creator with Phil Lord and Christopher Miller, who became famous for directing The Lego Movie. With their first FOX show, The Last Man On Earth, becoming a breakout hit in spring 2015, FOX gave the green light to two more of their shows: half-animated, half-live action comedy Son of Zorn, which aired in that highly-coveted Sunday at 8:30 fall time slot; and time traveling comedy Making History. Most of Son of Zorn's run was masked by boosts from football overrun, but without it the show went lower than any other FOX comedy. Making History, meanwhile, premiered low and went lower. FOX rightfully canceled both shows, with The Last Man On Earth hanging in there for a 4th season, though it's no longer a breakout hit. At this point, if we're looking at super-creators at FOX, we should look at the slight resurgence of Seth MacFarlane. He recently lost both The Cleveland Show and American Dad (moved to TBS), and Bordertown was also abruptly canceled after just 13 episodes. With hour-long drama Orville on the fall schedule, MacFarlane will go back to having more than one show on the air. Lee Daniels is another one to watch; while Empire has fallen tremendously, it's still one of the biggest hits on television, and next season they will air the second season of his other music drama, Star, right after it to make up their Wednesday nights.

So to recap, Shonda Rhimes lost The Catch, Adam Goldberg and Kenya Barris didn't exactly have the pilot season they may have wanted, Dick Wolf went from four to two Chicago shows on the schedule, and Lord/Miller went from three and back to one. But Great News carries on. Great News, which comes from Tina Fey, recently hit a 0.7 A18-49 Live + Same Day demo airing directly after The Voice. Like fellow Fey products 30 Rock and Unbreakable Kimmy Schmidt, as well as fellow NBC comedy Superstore, Great News may have a solid streaming fanbase. Or NBC could be in love with Tina Fey and/or really, really hated The Sackett Sisters. Next season, it will air between Will & Grace and This is Us, anticipated to be a time slot that is the best NBC could offer a show in years. The story of Great News is so unprecedented that it has made it into all three installments of The Trends so far. It seems that NBC did not want to keep Tina Fey off the schedule, and gave Great News the treatment not given to The Catch, Libby & Malcolm, Chicago Justice, Son of Zorn, etc. Also, there is Greg Berlanti, who has given The CW Arrow, The Flash, Supergirl, Legends of Tomorrow, Riverdale, and the upcoming Black Lightning. He also has Blindspot still kicking at NBC despite the ratings not being what they used to be. Berlanti's shows make up half of The CW's fall schedule, and it doesn't seem like he'll stop any time soon.While his production company had some shows pitched to other networks that weren't ordered to series, he's still right up there with the ranks of Shonda, Wolf, and co.

What do you think of all this? Let me know in the comments below!