Showing posts with label dr ken. Show all posts
Showing posts with label dr ken. Show all posts

The Fall of The Multi-Camera Sitcom & the Rise of the Single-Cam

 The opinions expressed are those of the author and do not reflect those of the TVRatingsGuide.

Above is the cast of ABC's 'Last Man Standing'.

Last month, NBC opted to cancel 'The Carmichael Show' after three short seasons. The series was never a ratings hit, so it didn't come as much of a surprise. But, this is just another nail in the coffin for multi-camera sitcoms. Earlier this year, ABC canceled its Friday night multi-cam sitcom lineup of 'Last Man Standing' and 'Dr. Ken' after six and two seasons respectively. While 'Dr. Ken' was barely a passable performer, 'Last Man Standing' was a relatively strong one, so it came as a shock that this long-running sitcom was coming to an abrupt end. While none of these cancellations happened because these comedies were multi-cam, they do show how the multi-camera sitcom is fading from the airwaves. Revivals aside, ABC did not choose to order an original multi-camera sitcom and NBC only has the upcoming 'Marlon' left. Instead, both networks have decided to invest in single-camera sitcoms with shows like 'American Housewife', 'Speechless', and 'The Good Place' doing reasonably well for their respective networks. Fox has left the multi-camera business entirely and while their comedies aren't exactly ratings performers, shows like 'The Mick', 'The Last Man on Earth', and 'New Girl' still keep the lights on for the network. And while CBS still mainly produces multi-camera sitcoms, even they have gone the single-camera way with 'Life In Pieces' and the upcoming 'Young Sheldon'. Outside of broadcast, it's almost impossible to find a multi-cam on high-profile cable networks like FX and HBO. So, is the multi-camera sitcom a thing of the past? Will it continue to fade into obscurity? Before we can get to that, let's look at the history of both type of sitcoms.

Multi-camera sitcom
A multi-camera sitcom is essentially what the title says. It's a sitcom that uses multiple cameras while filming. They are either filmed in front of a live studio audience or use a laugh track and generally play out like a play or stage show. There seemed to be nothing but multi-camera sitcoms from the 1950s to the end of the 20th century. Shows like 'I Love Lucy', 'Seinfeld', 'Cheers', and 'Three's Company' were insanely popular in the decades they aired and are considered classics.

Single-camera sitcom
Unlike the multi-cam, a single-camera sitcom doesn't explain itself through its title. A single-cam comedy is one that isn't filmed in front of a live audience and normally doesn't have a laugh track. It is filmed like a feature film. Also, the same camera is used for different camera angles and shots hence the title. 'The Brady Bunch', 'The Addams Family', 'Bewitched', and 'Gilligan's Island' are all examples of comedies from the 1960s that used the single-cam setup. While these shows were fairly popular when they were produced, they weren't on the same level as their multi-camera counterparts of that era. Outside of the '60s, single-camera comedy was essentially non-existent in the 20th century.

The Single-cam Comeback
After years of absence, the single-camera comedy made a comeback in the 2000s. HBO's 'Curb Your Enthusiasm' was one of the many single-cams that premiered in the 2000s. It came from 'Seinfeld' creator Larry David and ran for 8 seasons with a ninth season in the works. On broadcast television, Fox's 'Malcolm in the Middle', 'Arrested Development', and 'The Bernie Mac Show' were relatively popular single-cam situation comedies in the early 2000s with all receiving generally favorable reviews by critics. 'Arrested Development' even won the Primetime Emmy for best comedy. But, those shows struggled in the ratings and only lasted 3-6 season. While 'Malcolm in the Middle' had initial success, it quickly fell in subsequent seasons and fell below the top 100 in its final season. Also, their popularity still paled in comparison to multi-cams like 'Friends' and 'Everybody Loves Raymond'. It wasn't until 2005's 'The Office' that things began to change. While the series had humble beginnings, it soon grew in popularity and became a massive success both critically and commercially. NBC had already had success with 'Scrubs', another single-cam, but 'The Office' was on a different level entirely. NBC continued to air single-camera sitcoms like '30 Rock', 'Community', and 'Parks and Recreation'. While none were exactly rating hits, they were critically acclaimed and had relatively long runs. In 2009, after years of low-rated comedies, ABC premiered single-cam 'Modern Family'. It was an instant success in the ratings and received universal critical acclaim. The series also went on to win the Primetime Emmy for Best Comedy five times in a row. ABC eventually pushed multi-camera comedies to Fridays and got rid of that lineup altogether in May 2017. And while NBC flirted with multi-cams in the 2010s, they've turned to single-cams and now have modest hits like 'Superstore' and 'The Good Place'.

The State of Multi-Cams Now
CBS is one of the few networks to keep producing multi-camera sitcoms. But, only 'The Big Bang Theory' has become a strong performer both critically and commercially. 'Mom' is also a strong performer with the critics, but not of the same commercial caliber. Outside of those two, they don't really have any strong performers in the ratings or with the critics. 'Kevin Can Wait' and 'Man with a Plan' are decent performers, but have received unfavorable reviews by critics to no one's surprise. Outside of CBS, Disney Channel produces many multi-camera sitcoms, but they're aimed more at kids and teens. Ultimately, it seems that the only popular multi-cams are the revivals. Netflix has the revivals of 'One Day at a Time' and 'Fuller House' while ABC and NBC will air new seasons of 'Roseanne' and 'Will & Grace' respectively. Nevertheless, that's not a great place for a medium to be in. Single-camera sitcoms continue to receive more critical acclaim and rating success while non-'Big Bang Theory' multi-cams have had little luck.


Multi-Cam or Single-Cam?
In my opinion, single-camera comedies are usually better. Since they don't use laugh tracks, single-cam comedies can have dramatic moments that won't be interrupted by the constant laughing of a machine or audience. Also, a single-cam sitcom can keep firing jokes left and right while actors in a multi-cam have to wait for the laughter to cease in order to proceed to the next bit of comedy. In terms of investment, multi-cams are generally cheaper, but in recent memory, only CBS has mastered the multi-cam business. The only other broadcast network to have a successful multi-cam in recent memory is ABC with 'Last Man Standing'. 

Can the Multi-Cam make a comeback?
It's incredible how quickly the single-cam overtook the multi-cam despite the latter being absent for many years. So, could the multi-cam return to prominence? At the moment, I don't see it happening. There hasn't exactly been a very popular or highly acclaimed one in recent years. Despite that, the television landscape continues to change so I wouldn't be the least bit surprised if multi-cams were to take the reins away from the single-cam.


What did you think about this article? Do you prefer multi-camera or single-camera comedies? Leave your thoughts in the comments below.

The Future of the Night: ABC Friday

The Ratings Junkie Thursday, March 31, 2016
Welcome to a segment I call "The Future of the Night". The format is I take a look at a night on the network's schedule, see what could use improvement, and come up with scenarios which could potentially solve it. First, I present a short argument as to why it could work, then play Devil's Advocate with my reasoning, and then present the bottom line. Enjoy, and fee free to leave your opinions by leaving a comment!
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As ABC watches many other nights start to crumble, Friday is a relatively bright spot on their schedule on the surface. The Last Man Standing/Dr Ken comedy block at 8pm is doing better than the block on Tuesday. Shark Tank is still a solid reality player even if it isn't what it once was (almost nothing is). And 20/20 is 20/20. However, contract negotiations may lag the Tim Allen-led Last Man Standing despite good-for-Friday ratings and a syndication deal, and Dr Ken's fate may be complementary to that of Last Man Standing's. Worst case scenario and we no longer have an 8pm comedy block and nothing clear to replace it. So, here are some options ABC has for Friday.

Option 1: Stay Steady
Why It Will Work: There's really nothing wrong with Friday. Even if 20th Century Fox has to lower the licensing fee for Last Man Standing even more, a renewal would mean more solid ratings on a Friday. And realistically what could replace it? Moving a weekday comedy to the night would only
leave a major hole in their schedule.

Why It Won't: Well, you can't stay steady if you don't have all your shows renewed, right?

Bottom Line: As long as Tim Allen cooperates, Fridays should be a no brainer for ABC next season.

Option 2: Dr Ken Squeaks Out a Renewal and Launches a New Comedy
Why It Will Work: In a world where ABC can't bring back Last Man Standing but also expects Dr Ken to be profitable without it (which is iffy), ABC can move Dr Ken to 8pm an have it launch a multi-cam at 8:30. It won't be the same as this year, but it'll be the next best thing.

Why It Won't: There's a reason ABC only has a couple multi-cam pilots this season. They'll develop them, but they don't seem heavily invested in the genre. It looks like the block could be all-or-nothing unless a pilot like The Fluffy Shop tests absolutely though the roof.

Bottom Line: If this option happens, ABC might see itself with a fractional comedy hour on Fridays. Last Man Standing is severely undervalued, and I don't think a multi-cam block should continue without it.

Option 3: All Reality
Why It Will Work: If there's no comedy block, there's really no drama that would be able to move to Friday. Example: SHIELD would be fractional for sure, and it would make no sense to air a Marvel show on a day where Marvel wants you to go out and see its latest movie in theaters. Air something like Beyond the Tank or What Would You Do? here, or time share them. If you bench one or two scripted shows, you won't need Beyond the Tank every time something flops.

Why It Won't: This option would more or less be ABC giving in on Fridays. Really, all reality? That would leave a network like NBC or FOX to majorly capitalize on less scripted competition, and may not be a lineup that looks particularly pleasing to advertisers.

Bottom Line: When all else fails, go to Plan C. This is it. This could be what a future without Tim Allen looks like for ABC.

What do you think? Are there any other somewhat-plausible options that I didn't cover? Let me know in the comments below!

ABC Renew/Cancel Watch: Watching Fresh Off The Boat

The Ratings Junkie Friday, October 23, 2015
ABC Renew/Cancel Watch: Watching Fresh Off The Boat

Certain to be Canceled Likely to be Canceled Watching Likely to be Renewed Certain to be Renewed
Blood & Oil Castle Nashville Quantico Grey’s Anatomy

The Muppets Fresh Off the Boat Dr. Ken Scandal



Last Man Standing The Middle




The Goldbergs




Modern Family




Blackish




Once Upon a Time




Marvel’s Agents of S.H.I.E.L.D




How to Get Away with Murder

Changes from Last Week
  • Fresh Off The Boat downgraded from "Likely to be Renewed" to "Watching"
  • How to Get Away with Murder upgraded from "Likely to be Renewed" to "Certain to be Renewed"

Why Am I "Watching" Fresh Off The Boat?

We can all agree that Modern Family is ABC's #1 comedy, with The Middle and The Goldbergs having their pros and cons for #2 and #3 in terms of overall strength--let's give the #2 honor to The Goldbergs, but that's beyond the point.
Variety

After that, it gets a little more complicated. Blackish is slumping, but steady nonetheless in the high 1s. It seemingly is dependent at least to an extent on its declining lead-in. It's still "Certain to be Renewed" for now, but we could be having a different discussion next week after it airs without Modern Family. The last time it did that, it dropped a concerning half a ratings point.

The thing is, we're at the point where Last Man Standing (1.3) and Dr. Ken (1.3) had a stronger week than Fresh Off The Boat (1.4) and The Muppets (1.3). So all things considered, here are my "Power Rankings" for ABC comedy:
  1. Modern Family
  2. The Goldbergs
  3. The Middle
  4. Blackish
  5. Last Man Standing
  6. Dr Ken
  7. Fresh Off The Boat
  8. The Muppets
In all fairness to Fresh Off The Boat, it's not getting the lead-in support that most of us thought it would--as exemplified in these rankings, The Muppets is a massive disappointment. If ABC wants to continue their multi-cam block (which would basically rely on Tim Allen's Last Man Standing contract), they'll have six shows that they could easily renew. Why would they need a seventh in
The Atlantic
Fresh Off The Boat, especially as ABC's new crop of pilots seem to heavily favor its in-house production company. Ratings need to rise. At this rate, it isn't anchor-worthy, and won't be able to launch The Real O'Neals. Wednesday is working and I don't think ABC will want to move it there--after all, it proved no stronger than Blackish during its season premiere when it actually had a high-rated lead-in. It's also very far away from syndication.

But it fits in with ABC's agenda. I'm not overly concerned right now, but there could be more concern in the upcoming weeks. At best, I see this show getting the two-and-a-half-seasons-and-done treatment a la Cougar Town, Happy Endings, and Suburgatory.


Why Is How to Get Away with Murder "Certain to be Renewed"?

I was concerned about How to Get Away with Murder, and still am to an extent. It's not the monster hit it was just last season, but the ratings are steady in the 2.0 range. Who would have guessed this time last season that it would be at the same range as The Middle and The Goldbergs? Regardless, it's ABC's #3 drama, only behind the other two Thursday dramas. It doesn't have the Disney-related benefits that got Marvel's Agents of S.H.I.E.L.D and Once Upon a Time presumably get, but it's also a step above Quantico.


What do you think of my predictions and analysis? Vote in the polls, or leave in a comment, and maybe it will be the Comment of the Week!



Dr. Ken Gets a Full Season. Ah Smoo! I Hate That Show! Why Was It Picked Up!?

The Ratings Junkie Tuesday, October 20, 2015
Dr. Ken Gets a Full Season. Ah Smoo! I Hate That Show! Why Was It Picked Up!?
Note: The opinion expressed in the Oh Smoo! editorial column do not always necessary align with the thoughts of The TV Ratings Guide as a whole. 
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Because TV shows do not get picked up or cancelled just because I watch them or not. That's a simple fact we need to remember. If the world truly revolved around my TV preferences, Cristela would be returning for S2, Trophy Wife would be in its third season, 666 Park Avenue would be coming up on its syndication season, Raising Hope would be producing S6, and an older show called "Scoundrels" would have been a continual summer hit beyond its 2010 cancellation. Plus, my daytime faves, All My Children and One Life to Live would be coming up on their 46th and 48th seasons on the air, respectively. And Keeping Up With the Kardashians, Here Comes Honey Boo Boo, Jersey Shore, 19 Kids and Counting and The Hills would have all been cancelled after their first seasons. But the world of TV doesn't revolve around me. Clearly, there are other factors to the equation, and other people's tastes in television, which cause a renewal and cancellation.
I attempted to watch Dr. Ken and decided not to return. It is not the worst show I've ever
watched in scripted history. That dubious honor belongs to Fox's Dads, a show so deplorable I turned it off after 12 minutes of the pilot. I just don't find the humor relevant in Dr. Ken. I already have another sitcom which explores Asian family humor with more sincerity and sophistication, thanks to Fresh Off The Boat. I do not enjoy Dr. Ken, but I am happy for the actors and producers, as they at least have one year of stability in the volatile entertainment industry. And I'm also happy for ABC, as they found another solid fare to hold their schedule together. They boast three solid sitcoms on Wednesday, two sophomore sitcoms which are at least producing moderate ratings, and two freshman comedies which are fairing okay. The last slot belongs to Last Man Standing, which is aging and outsourced. This places The Muppets and LMS as the weaklings among the 8 sitcoms, and Muppets was declared a partial order sitcom, regardless of performance.
Dr. Ken's mediocre success spells solidity for ABC, which suffered from bleak potholes in its schedule from 2007-13. I will not return to Dr. Ken, unless the writing somehow captivates me. I loved Desperate Hosuewives for most of its run, but didn't get into it until midway through S1 when the episode featuring Sharon Lawrence had of the PTA arrested for prostitution. You never know; I may one day become a fan. But for the time being, I'm just happy ABC has ratings Spackle to plaster a difficult timeslot which cursed Cristela, The Neighbors, Malibu Country, etc.... With LMS an aging and weak link in ABC's successful sitcom family, Dr. Ken may spell hope for ABC maintaining sitcoms on Friday.
So of my mentioned shows I wish survived, why did they all perish? Cristela was outsourced from Fox and had mixed reviews. It dipped into sub-1.0 territory, which no sitcom has ever rated and survived. Even on Fox and NBC. Just ask members of Cristela's freshman class, Shelfie and Manhattan Cancellation Story, which were yanked and forgotten after wasting space on Tuesdays, even for cursed ABC timeslot standards. Same goes for Trophy Wife, which suffered due to ABC's horse-smoo style Tuesday scheduling, which nearly killed the Goldbergs. Trophy Wife could have succeeded had ABC placed it in the Wednesday timeslots taken up by Bleak in the Game and Super Fart Night. Raising Hope died because fox satisfied its syndication
requirements and burned the show off on Fridays. The fact is, it never rated highly, and I praise Fox for committing to a full run, even though Raising Hope pulled 0.4 ratings. 666 Park Avenue hemorrhaged over half of Revenge's modest ratings, a poor delivery even for 4th place ABC. Plus, Hurricane Sandy destroyed their sets, which would have been too costly to rebuild for an ailing freshman drama.
Scoundrels never lit the ratings on fire, and successful summer shows were unheard of during their era. And my daytime fares, AMC and OLTL, both had high New York production costs. The first was destroyed creatively for years, even making the last half of Revenge's S4 measure up to "Must See TV". Both suffered from years of valleys and laurels, and network executives decided to roll the dice with lifestyle and reality TV programming. After all, Reality TV and Z-listers behaving badly rated all too high in 2011. Why pay Susan Lucci $1M for her character Erica to have a trashy affair, when they could pay Snooki or JWoww $10K an episode to do something they would have already done for recreation like a hooker on Saturday night? I was initially furious, then disillusioned when ABC cancelled my beloved shows so disrespectfully, but I realized it was not about what my one TV set was watching. Why did ABC care about my one investment, when millions of woman in my age demo enjoyed reality TV? Just like why should ABC care if I cannot stand Dr. Ken, when clearly 1.5 women seem to enjoy this show. The bottom line is, it is about more than me/us. Do you enjoy Dr. Ken? Humor me as to why I should give this show a second chance, and maybe I'll join the ranks.

ABC Comedy Parts 6+7: The Wednesday Rebound and What's Next

The Ratings Junkie Tuesday, July 14, 2015
ABC righted a wrong when they decided to move The Goldbergs to 8:30. They also premiered Blackish at 9:30, the first family comedy ever to air after Modern Family. For the first time, ABC had a comedy night consisting solely of family comedies. With it, we found out that compatibility truly does matter. The Middle and Modern Family both became extremely steady, with The Goldbergs being the second comedy ever to improve upon its 8pm lead-in, and Blackish holding onto enough of Modern Family to stay in the range of both The Middle and The Goldbergs. The comedies fit together as a glove, and for the first time since the comedy block began in 2009, all four comedies aired full seasons there, with no other comedies airing on Wednesday outside of the premiere of Fresh Off The Boat.

ABC Still Figuring Out Tuesday…

Despite the newfound all-around success of ABC Wednesday, it surprised few people that the Selfie-Manhattan Love Story Tuesday duo flopped. Both hit levels that went as low or even lower than Trophy Wife, and both were down significantly from the fall numbers seen by The Goldbergs and Trophy Wife the season before. When they were quickly pulled from the schedule, ABC filled the time slot temporarily with Shark Tank, which not only improved on the time slot, but also improved upon what it did there a few years prior when it was its regular time slot.

Things got tricky midseason. ABC only had one comedy with a midseason premiere date, Fresh Off The Boat, but had two comedy spots to fill. So what they did was quietly pick up reality filler Repeat After Me. The latter did not do well at all, typically being at the 1.0 range, but the former surprised as a moderate success. The ratings did fall significantly from its Wednesday premiere, but were good enough for a renewal considering the circumstances (only Tuesday comedy to proved ok numbers that season, had to face The Voice and typical Daylight Savings Time drops).

…And Friday

Like we have seen for the previous two seasons, ABC has been having trouble pairing something up with ok-for-Friday Last Man Standing. In the 2014-2015 season, they tried multi-cam Cristela. Like previous time slot occupants Malibu Country and The Neighbors, it performed well enough to warrant a full season, but not well enough to get a renewal. Meanwhile, Last Man Standing, which itself was on the bubble due to Tim Allen’s contract, held well enough to be renewed. Just like the breakout 2011-2012 season, ABC had every reason to renew six of their comedies.



Part 7: What’s Next?


It truly looks like ABC will have a strong comedy year next season. Of course, there are no guarantees here, but it seems like they finally figured out that compatibility is key. Tuesdays should improve, at least in the fall, with The Muppets leading off the night, which in turn should bring some more exposure to Fresh Off The Boat. They also kept the Wednesday comedy block as is, and the only show right now which is not reviewing too well is Dr. Ken, which already has a midseason replacement anyway. But although I predict ABC having a great season on the comedy side, it is more questionable what happens in the long run. The Middle and Modern Family must have two or three seasons left at best, meaning that others shows will have to take the baton. Could The Muppets be that show to take over for Modern Family? It is a family mockumentary show, after all. And could The Goldbergs be the next The Middle, all while Fresh Off The Boat and Blackish provide solid ratings as well? Time will tell, but there is one thing we can all learn: ABC’s comedy Wednesday experiment back in fall 2009 truly did pay off. Sure, there were some struggles along the way, but could you imagine a world when their top comedy struggled to hit a 1.0? It is hard to believe how relatively recent those days were.