Showing posts with label will and grace. Show all posts
Showing posts with label will and grace. Show all posts

A History of President Trump’s Relationship with Nielsen Ratings (Part 2)


DISCLAIMER: This article has nothing to do with the president's political views or actions. The purpose of this piece is to focus on the way he has used Nielsen ratings and whether his usage was correct or incorrect. Click here to read the original article.

Donald John Trump (center). Photo Credit: Flickr

While not the first president to join the social networking service, former Celebrity Apprentice host Donald Trump has infamously used Twitter to demean his naysayers and uplift his well-wishers with a sea of exclamation marks and hashtags. One particular topic that the 45th president has latched onto is the subject of Nielsen ratings. While there is no shortage of Trump tweets discussing the ins-and-outs of this audience measurement system, it may be difficult for those not familiar with television ratings to figure out if The Donald is using the data correctly. Pictured below are just a few instances where Trump has dished out an attack based on Nielsen ratings and if his statements are factual or a work of fiction.



Exhibit A: Full Frontal with Samantha Bee


After comedian Samantha Bee hurled obscenities towards Ivanka Trump on her TBS series, President Trump took to Twitter to defend his daughter while simultaneously calling for Bee to be fired from her "low ratings show". Likely furious from Roseanne being removed from her ABC sitcom for racist tweets, Trump mentions that there is a double standard when it comes to how conservatives and liberals are treated. For its fourth season, Full Frontal with Samantha Bee has averaged an incredibly modest 0.2 rating in the key 18-49 demographic. Although the late-night program has already secured a fifth season renewal, even the most devoted fans cannot pretend that it's a solid performer. Despite the fact that online clips of the program take in millions of views on YouTube, the amount of people tuning in for a television broadcast of Full Frontal are few and far between. Just like Trump pointed out, its numbers leave much to be desired


Did Trump Use Ratings Correctly?: YES





Exhibit B: July Democratic Debate


Following the first Democratic debate, the 45th president logged into his Twitter account and penned a disparaging remark aimed at the "low ratings" that the broadcast produced. In reality, Trump's assertion could not be further from the truth. The CNN telecast of the debate turned in a hefty 1.65 rating in the 18-49 demo with nearly 9 million viewers. A quick scan of a daily ratings report in 2020 demonstrates that most offerings don't even come close to pulling numbers that high. On top of that, Hannity (a show he has praised for its great ratings), garnered a measly 0.34 rating with 4.3 million viewers for a broadcast on January 30, 2020. While still respectable for today's standards, Trump uplifting such low ratings while attacking the much stronger Democratic debate conveys he may be a touch biased in this scenario.

Did Trump Use Ratings Correctly?: NO




Exhibit C: Roseanne/Will & Grace



In this set of September 2019 tweets, Trump takes aim at Will & Grace actress Debra Messing for allegedly being a racist. Once again, the president calls out the more liberal broadcast networks for holding conservatives to a different standard. He uses his friend & supporter Roseanne Barr to back up his claim since she was discharged from the "much higher rated" Roseanne revival while Messing remains employed despite being accused of similar behavior. While he has been under fire for telling lies and twisting facts in the past, Trump could not have been more accurate with this statement. As a testament to its popularity, Barr's series was the most-viewed television program in 2018. The eight-episode revival of Roseanne premiered to a monstrous 5.2 rating and averaged a staggering 3.5 in the 18-49 demographic. In sharp contrast, the third season of the Will & Grace revival is currently averaging a pitiful 0.5 rating. Even at its highest (a 3.0 rating for its 2016 premiere), the Messing series paled in comparison to the sheer magnitude of Barr's Nielsen numbers.

Did Trump Use Ratings Correctly?: YES




Exhibit D: CNN & Don Lemon



CNN's Don Lemon became the target of a verbal onslaught in a late January tweet by the commander-in-chief. In the incredibly brief observation, the president insulted Lemon's intelligence and ability to conjure up Nielsens. For the most part, it does seem like this comment holds weight. The cable ratings for the same evening that the tweet was fired off illustrates that the programs on Fox News (a network Trump has lauded for its high ratings) comfortably performed higher than those on CNN. On that particular day, multiple Fox News programs made up the top 25 highest-rated shows while the CNN airings missed the threshold. Even if these ratings generally fluctuate depending on the topic discussed, it's clear that the president is not too far from the truth with his "terrible ratings" proclamation.


Did Trump Use Ratings Correctly?: Somewhat





Recap
Given the fact that Trump hosted a reality series on NBC for over a decade and has made cameos on many programs from the peacock network's lineup, it's safe to say that he understands the Nielsen system more than the common individual. Nonetheless, he may not realize that ratings have declined substantially since he left The Celebrity Apprentice in 2015 to secure a spot in the Oval Office. Because of this, numbers that may seem low to him are simply average or even solid given how far viewership has declined as a whole. Ultimately, expect Trump's Nielsen-based tweets to hold at least some truth (even if he does use them to back up already established biases). 



What did you think of this article? Do you believe Trump has an understanding of Nielsen ratings? Sound off in the comments below.

Will & Grace to End With Season 11

An iconic part of NBC's Must-See TV is coming to an end for the second time, as Will & Grace will wrap up its run next season after three seasons back on the air. The show was a massive success at first but slipped throughout its first revival season. The slippage continued in its second revival season, though it remained an decent player compared to other NBC comedies, ranking as the #3 comedy behind The Good Place and Superstore. The show has received many Emmy nominations over its run, mainly during the original run, with Megan Mullally receiving a Best Supporting Actress nod for the first revival season. Eric McCormack and Debra Messing star as the titular duo, along with Mullally and Sean Hayes.

What do you think of this news? Will you miss Will & Grace when it leaves airwaves next year? Let us know in the comments below!

2017-18 Week 4 Sitcom Scorecard -- The Goldbergs' 100th Episode Holds Permed Against Unilateral Drops


Written With To Much Explanation by Bridger Cunningham

As expected, the 2017-18 roster presents a lower Nielsen yield than previous seasons.  However, the bar has dropped for Leading The Pack to a record-lenient 1.35 Delta to enter the range.  And the Middle of the Pack is back to last season's bar with a 1.10, expected as the ranges become uneven or bottom-heavy.  And who hasn't noticed this article series' greatest blunder down below?  Everyone knows Dynasty is not intended as a sitcom, but has become a source of laughs which the show-runners should be honored to be roasted with.  That joke of a range is a placeholder as one regular show is edging dangerously low for an Anemic ranged show and will instigate the return of "The Abyss" when their average drops below 0.60.  Again, the Anemic classification is more lenient this season as lower yields are expected.  Speaking of 80's jokes, happy 100th episode, Goldbergs!  This week's episode gave us iconic visuals as Beverly sported a trend solid to the era without the mullet mocking.

Sunday, October 15 delivered an expected drop for FOX's non-inflated roster, surprisingly with decent results.  The Simpsons dropped nine-tenths to a 1.3 with plenty of room for movement.  Ghosted's 3rd episode delivered its true weight with a 1.0, again a hair above its 2016 fall predecessor  Son of Zorn, yet within a greater range of retention to its neighbors.  Family Guy dropped a mere two-tenths to a 1.2, as did Last Man On Earth with a 0.8.  Both shows are down from last year, yet the Sunday roster is boasting stable performance.

The same cannot be said for CBS Mondays.  October 16's The Big Bang Theory ticked down a tenth to a 2.8.  Down indeed from last year, yet TBBT was the 2nd highest-scripted show of the week!  9JLK dropped two-tenths to a 1.2, sadly setting a record-low post TBBT retention of 42%.  Last year's casualty The Great Indoors bottomed at 50% (1.4 out of 2.8), and 2014 failure The Millers held the previous low of 46% (2.1 our of a 4.5).  9JKL's ding-dong-ditch from the Nielsen ferry shaved another tenth off of Kevin Can Wait with a disappointing 1.1, and timeslot-troubled Me, Myself & I held sadly steady with a 0.9.

Tuesday, October 17 presented another round of general lows, with only Fresh off the Boat (1.1) and The Mick (0.8) holding steady.  The Middle ticked down to a 1.3, as did Brooklyn 99 with its series low 0.6.  Blackish (1.1) and the Mayor (0.8) hit series lows following a two-tenth drop.  Happily, Wednesday, October 18 presented a sturdy delivery with The Goldbergs' 100th episode (1.5), Speechless (1.1) and American Housewife (1.4) all holding their previous week's deliveries, while Modern Family ticked down a tenth (1.7)

And Must-See TV found NBC's trimming girth off its belt line.  Superstore held steady with a 1.1, and The Good Place reduced its weight to match that same measure.  The Will & Grace revival is still losing inches of its Nielsen fat, but the losses appear to be plateauing as this weeks 1.7 was only down one-tenth.  Sadly, Great News is NBC's Biggest Loser this week, having dropped two-tenths of its already light ratings to a 0.8



PERCENTAGE CHANGES

Only one show downgraded this week, as The Mayor slid from 55% odds of renewal to 45%.  So why is this Freshman series the target of a premature downgrade?  The Mayor, while sophisticated in quality and perhaps fitting with NBC's pallet, is cursed with a poor timeslot indeed.  However, it has hemorrhaged at an alarming rate, losing 27% of its already-weakened lead-in Black-ish' 1.1 rating.  ABC has three sitcoms (Alex, Inc, Roseanne and Splitting Up Together) on the bench looking to bat.  Upgrades are still a possibility, but it appears The Mayor's fate appears to be sealed.

Other shows stand poised for changes in status.  So who is eyeing a promotion?  Three more episodes of performance are needed to upgrade The Good Place and American Housewife to 90%, and the same benchmark will cement Superstore's and Family Guy's fates at 100%.  TGP and AH are enriching their network's rosters, yet they need 43-52 episodes beyond May 2018 to hit the syndication mark.  Superstore, however, needs 33 episodes and has three seasons coupled with an excellent use of leading timeslot in its favor.  And FG has passed syndication ages ago and stands as FOX's 2nd-highest rated sitcom.

The opposite trajectory awaits CBS freshmans 9JKL and Me, Myself & I, who already rest sadly at 45% renewal odds.  Unless 9JKL dips fractional out of its prime TBBT-lead-out, or MM&I sinks to a 0.7, these shows' fates will change in Week 7's Scorecard, due November 10.  This card will expose the shows' true weight minus TBBT in two showings.

Shows forecast for changes further into the season are Bob's Burgers, Ghosted, Last Man On Earth, Kevin Can Wait, Black-ish, The Mick, Speechless and Great News.  So why do they receive more ground before changes are warranted?  Let's examine their performance:

Bob's Burgers -- The durable FOX performer sits in the week's least-desirable timeslot on Sundays at 7:30.  And thus far, BB is performing above average early in the season.  However, a motion picture is planned for 2020, and FOX would be foolish to ax the show prior.  What else can handle this dreadful show-killing timeslot?

Ghosted -- Factors working in favor of this FOX freshman is it performs slightly above Son of Zorn, its surrounding sitcoms are down.  Factors working against are it has not plateaued, and the ratings are not "breathtaking".  Retention/Lead-Up to Simpsons and Family Guy will factor in over 8 episodes.

Last Man On Earth -- FOX's last Sunday picture show is down slightly, yet LMOE will reach 67 episodes by the season's close.  It is till straddling close to its series low (0.7).  But like BB, what else would FOX schedule on this evening?

Kevin Can Wait -- The Sophomore Sitcom could receive an upgrade in three weeks' time.  However, it continues to drop and has not plateaued.  Its odds of renewal run high as its competition is performing pitifully, and a precise gauge of performance will play out after the show's November 6 performance.

Black-ish -- The 4th season critical darling is an in-house ABC production, and it has proven resilient against NBC juggernaut This is Us.  It needs to hit its plateau to upgrade to 90%.  ABC would be foolish to cut Black-ish with The Middle exiting in 2018 and Speechless and The Mayor now the weakest links in the network's comedy roster.

The Mick -- Season 2 has disappointed and regularly taken 4th place in its timeslot.  However, surrounds Lethal Weapon and Brooklyn 99 are also fractional, so the premise has some salvaging leverage.  If the show delves deeper into fractional territory, it could downgrade.

Speechless -- Like Black-ish, Speechless is an in-house production and as of late registers 1.1 demos. It appears it has plateaued.  However, its lead-in and lead-out perform between 1.5-1.9 regularly, a stark difference which leaves disappointing egg on Speechless' face.  The show currently sits at a 70% renewal prediction and could change in November.

Great News -- Last year's lowest-rated renewal was given the prime Will and Grace lead-in to develop.  Out of that, it has performed between 0.8-1.3 out of W&G's 1.7-3.0 range.  The show has performed decently compared to past performance of failed NBC sitcoms in the 2010's despite this week's fractional drop.  W&G will only produce 16 episodes, so NBC needs sitcoms to paste in the roster between now and May.  If Great News can continue to perform closer to Superstore and The Good Place, it may see 2019.  If it continues belting out fractions, it's forked!

2017-18 Week 3 Sitcom Scorecard -- Initial Predictions Are Made For Renewals



Written Grateful Phoenix Powers Solar Calculators by Bridger Cunningham

Image result for tina fey great newsAfter 2-4 showings of data, The Sitcom Scorecard has made its first predictions for sitcom renewal vs. cancellation, ranging from 20-100% renewal odds.  Criteria to evaluate the odds holds a delicate balance between Nielsen performance (the largest factor), In-House or Outsourced productions (large factor), scheduling needs, retention and episode counts to reach the syndication/streaming line (the smallest factor).  These calculations are subject to change, and most will change as the season progresses.

Sunday evening enjoyed generous helpings of FOX's favorite banquet, Football Inflation.  Bob's Burgers took the evening off due to tight scheduling, leaving the Simpsons to enjoy a healthy boost to a 2.2 demo, up 57% from last week's 1.4 entry.  This extreme boost also powered the show from an 11th Place tie in the Middle of the Pack to 5th Place the leading classification.  Ghosted matched last week's 1.4, retaining 63% of its rich lead-in (Son of Zorn retained 59% last year with a 1.6).  Family Guy ticked up a tenth to a 1.4, a disappointing gain considering the same showing last year garnered a 1.7.  And Last Man On Earth gained one tenth as well.  However, LMOE's rooting value is it is holding steady against an overall trend of network erosion.

CBS Mondays exhibited heavy losses on October 9 as The Big Bang Theory lost three tenths and landed at 2.9, down from last year's 3.5 registry for the 10th season's 3rd episode.  Shall we have a moment of silence?  Nahh....  The show is beyond healthy in its 11th season.  9JKL dropped two-tenths as well, landing at a dismal 1.4.  This is troubling, as the show is 36% lower than Kevin Can Wait's 2.2 in the same 8:30 timeslot on 10/10/2016.  9JKL retained 48% of TBBT's lead-in, whereas KCW heralded an impressive 63%.  Speaking of KCW, it delivered a disappointing 1.2, down one tenth from last week and down 14% from 2 Broke Girls' performance in the same 9:00 timeslot one year earlier.  Me, Myself & I dropped below the 1.0 line with a 0.9, matching The Odd Couple's same delivery in the 9:30 timeslot the year before.  Before declaring this show dead, please note MM&I's retention was 75% vs. TOC's 64%.

Tuesday October 10 delivered softer ratings for the six shows over ABC and FOX.  The Middle held strong with a 1.4, only shedding one tenth.  A pity this show is on its way out, as Fresh Off the Boat fell three tenths from last week's showing to a 1.1.  Blackish retained a modest portion of its debut rating with a 1.3, tying for 2nd place in its respective timeslot.  And The Mayor polled a 1.0, down 20% from its debut rating, though up 10% from last year's showing of The Real O'Neals' 0.9.  FOX remained screwed into 4th place for both of its showings as The Mick dropped a tenth to 0.8, and Brooklyn 99 made a mild bump a tenth with a 0.7.

ABC Wednesdays appear to be losing steam, with only American Housewife holding steady at 1.4 on October 10.  The Goldbergs (1.5) and Modern Family (1.8) each dropped a tenth, and Speechless' alarming freefall tied its series low 1.1 with a two-tenth drop.  A disappointment, as this is one of ABC's most lucrative timeslots.  Thursday, October 12 proved successful for NBC with slight losses.  Superstore ticked down to a 1.1, The Good Place posted a decent 1.2, Will and Grace retained 90% of their previous week's helpings with a 1.8 and Great News held steady at a 1.0.


THE NUMBERS ARE IN

Before breaking down the calculations, the first error of the season has occurred in the Sitcom Scorecard, as Bob's Burgers had a shiny green "RENEWED" label attached.  This has been stripped in place of a purple "TBD" label, as only one showing is available for data.  Also, Brooklyn 99's episode count was off by 2 episodes.  Noticeable changes from Week 2's scorecard is an accelerated need to amend the entry deltas in each classification.  Both Leading the Pack and The Middle of the Pack's entries were relaxed a tenth (1.45 for Leading, 1.20 for Middle) as averages dropped faster than anticipated.  Either way, TVRG is letting its cherry rip on a ripe sitcom season.

100% -- CERTAIN RENEWAL

Currently, Fresh Off The Boat resides alone in this category as it will hold 82+ episodes by May 2018.  It has been bashed and abused around the ABC schedule since 2015 with 7 timeslot changes and proved its sturdy value last spring as it retained its viewers while nearly all sitcoms suffered devastating spring ratings.  And The Middle's final season announcement leaves a demand for a replacement on ABC's newly established comedy evening.  FOTB is outsourced, but would ABC really ax a show this durable when The Mayor ranks below and Speechless is exhibiting a Nielsen drop?  Not impossible as Channing Dugney runs the network, but foolish and unlikely.

90% -- LIKELIER RENEWAL 

Superstore and Family Guy hold stronger promise for renewal than the next classifications as they are the 2nd-strongest performers in their respective stables.  Superstore will have 55+ episodes amassed in 2018, and Family Guy hits 300 episodes this season.  Five more showings of competitive ratings will earn these stronger links upgrades to 100% if they continue above their network bar.

80% -- LIKELY RENEWAL

Kevin Can Wait, American Housewife, Black-ish, The Good Place and Last Man on Earth are a necessity to keep their respective networks' schedules intact.  KCW has experienced appalling drops from the 2.3 premiere, but has outranked every CBS show not adjacent to The Big Bang Theory.  Unless KCW drops to a 0.9 by December, the show is likely to return in some form next season.  American Housewife is down from last season's run on Tuesdays.  But it stands as ABC's strongest yet to be renewed player.  Black-ish is also down, but valued as it stands as ABC's strong tentpole in the Tuesday 9:00 hour.  It is taking 2nd in its timeslot against This is Us, something worthy of writing home about.

The Good Place has returned to a strong season on NBC, and is also gaining mild exposure as the Will and Grace lead-in.  Unless the network decides to scale back to two showings of sitcoms per week (an unlikely odd, as NBC is embarrassed about losing its stranglehold on the evening), The Good Place is needed to command a strong(er) performance.  And Last Man on Earth ranks toward the bottom of the pack with what many networks still brandish as embarrassing ratings.  However, they reside on Sundays at 9:30 and have housed stable performances in-line with the last season.  LMOE will have 67 episodes by 2018, so why not keep a stable performer in play?  If the show ends, it will likely be due to a Nielsen drop or the writers deciding to retire the serialized premise.

Five more weeks of performances are needed to change these shows' renewal predictions.  Otherwise, these shows are counted as a likely guest seated in the networks' 2018-19 banquet.

70% -- LEANS RENEWAL 

ABC's Speechless and FOX's Ghosted rank in the same position in Nielsen performance and mid-comedy-block-scheduling thus far.  Both are capable of doing better, yet blend into their timeslot landscape.  Ghosted has mildly improved its predecessor Son of Zorn's performance as it narrowly retains more from its surrounding performers.  Yet a runaway hit would have pulled a 1.6 or higher out of the Simpsons' football-inflated 2.2.  Speechless has hit a creative lull in its 2nd season, down considerably from the 1.8-2.0 sensational ratings it enjoyed early in its run.  While surrounding supports Goldbergs and Modern Family are both down this season, Speechless is down further.  This week's stark drops are alarming, and continued losses or patterns below 1.2 may warrant a downgrade.  Ghosted and Speechless have yet to give warrant for cancellation.  Rather, a warrant seems to be in order for being moved to a less desired timeslot in 2018.

55% -- ON THE BUBBLE LEANING RENEWAL

Great News and The Mick both debuted mid-season in 2017.  The Mick is delivering under performance with 0.9 entries out of 1.1 and 1.2 lead-ins and taking 4th Place regularly.  Great News experienced an inauspicious late-season debut and was given a surprise renewal.  It currently retains half of the rich Will and Grace lead-in, leaving it an obvious underperformer.  ABC Freshman The Mayor debuted with two strikes against it, as it not only received the network's worst timeslot (Tuesday 9:30), but also mixed reviews from critics. However, these shows have pros and cons to evaluate:

PROS -- FOX Tuesdays have not delivered strong ratings for some time, and The Mick is improving the 9:00 hour from the season before.  It is generously overperforming Brooklyn 99 at 9:30.  B99 is likelier to get axed first and New Girl is finished in 2018, so would FOX can The Mick too?  Their schedule is still tenuous with Friday being problematic.  Over at NBC, they are desperate to revive sitcoms on Thursdays and have laid the perfect foundation.  NBC seems jettisoned on keeping all sitcoms on this evening and also fancies giving shows 13 episode runs.  W&G only airs 16 episodes this season, and Trial & Error needs a home.  Great News has earned a home through 2018 at the least, as NBC would scramble to locate a fit for its least-desired sitcom timeslot.  The Mayor is running a hair higher than The Real O'Neal's and has yet to plunge fractional.  Also, Speechless is tanking early in its Sophomore year and has become a fire spot for the network.  A 1.1 on Wednesday makes it weaker than any show pulling a 1.0 on Tuesday.

CONS -- The Mick is already seeing fractional deliveries in its Autumn numbers.  If FOX locates a winning drama, they could scrap the troubled evening and load comedies on Sundays.  Great News is the weakest comedy NBC has to offer and may be dispensed if space is needed.  And it will not take much to impeach The Mayor if it begins seeing 0.8 ratings regularly.  The campaigns are stacked against this cursed timeslot.

These shows have a season of performance to defend their renewal, so stay tuned, as they still have promise.

45% -- ON THE BUBBLE LEANING CANCELLATION

Unlike the previous classification, this phylum holds less promise for higher performance.

CBS currently claims sole ownership of this losing category with freshman comedies 9JKL and Me, Myself & I.  9JKLosingMyNielsens has squandered its rich TBBT lead-in, only retaining 48% of its performance only 2 episodes in.  These figures performed under last season's failure The Great Indoors and descend downward toward The Millers' appalling Autumn 2014 performance of similar measures.  It is also down 37% from last season's 3rd showing of post-TBBT lucrative KCW (1.4 vs. 2.2).  Me, Myself & Ilene Cancellation is already dropping into sub-1 territory with a 0.9 three weeks into its run, in line with The Odd Couple's 3rd episode in the Monday 9:30 timeslot.  The promising factor for MM&I is it retained 75% of the 1.2 KCW rating, whereas TOC only retained 64% of 2 Broke Girls' 1.4 showing.

The big test for these struggling sitcoms will come on Monday, October 30 when KCW leads the evening at 8:00.  If MM&I matches or outperforms 9JKL, it will be spared.  If it deflates further, it could be the choice to get axed.  Superior Donuts and Man With a Plan did not hit the 0.9 measure until late into Spring, and CBS may be willing to compromise Superior Donuts giving that benchmark vs. one of the newbies.  Also, Man With a Plan needs an anchor and can suffice in either the 8:30 or 9:00 timeslot.  October's performance will shine greater light on which show is stronger, and November will have fates determined if the shows continue to deflate lead-ins.

Another burgeoning question is would CBS consider a mid-October swap of timeslots to test each show's weights?  Stranger things have happened in CBS scheduling.

20% -- LIKELY CANCELLATION

Brooklyn 99 made the fast descent to this season's first endangered show, thanks to pitiful performances of fractional viewings in line with damaging Spring Doldrums numbers.  It is down 35% from last year's performance (0.67 vs. 1.03 for the season's first 3 episodes' data), and outlived its syndication goal.  And sadly, it has already matched last year's lowest sitcom, Making History's average.  Many may argue This Is Us's meta performance is harming the show, but competitors ABC and CBS manage to register showings above the 1.0 mark.  TVRG's Summer Project of profiling Historic Ratings sets a stark reminder that networks reserve the right to cancel shows in the Fall, even if they are a veteran.  CBS axed Rhoda in December 1978 midway through its 5th season, ABC fired Mr. Belvedere in December 1989 midway through its 6th season, and NBC tore down Veronica's closet in December 2000, 81 episodes into the 4th season.  Could the same fate befall B99?  If it dips to regular airings at 0.4 and 0.5, FOX may be prompted to give this show an early hook and showcase reruns or other ventures.

5% -- CERTAIN CANCELLATION

No shows have entered this last rites classification before slapped with the red CANCELLED label.  Keep an eye out though, as B99 is treading close if its average drops below 0.60.

FATES DETERMINED

This category traverses a greater bounty early in the season, as 7 shows have already had their fates determined vs. 2 in 2016.  RENEWED are ABC's The Goldbergs and Modern Family, CBS' The Big Bang Theory, FOX's unkillable Simpsons and NBC's Will and Grace revival.  And viewers shall bid ABC's The Middle and FOX's New Girl after 9 and 7 glorious years adieu after graceful runs as the 2017-18 is their FINAL SEASON.

EARLY RENEWAL PREDICTIONS

Predictions for pre-March renewals leave NBC's Superstore and The Good Place as mid-season champions.

2017-18 Week 1 Sitcom Scorecard -- 14 Sitcoms Deliver Original Material During Premiere Week

Written Grateful Original Network Programming Has Returned by Bridger Cunningham

Image result for will and graceWelcome back, folks!  Wednesday, September 20 delivered the first two ratings helpings with back to back showings of The Good Place.  The 10:00 showings delivered a 1.3, up from its last original 1.1 telecast in February 2017 and already below the 2016-17  average of 1.35.  Fret not, as that 13-episode season had two plum post-Voice airings which rated 2.3.  And a 1.3 is far above the rest of that season's renewed sitcoms' averages, so The Good Place has plenty of territory to display its true grit.  For week 1, CBS again claimed 1st place, a throne in sitcoms they've owned since 2004.  ABC and NBC tied for 2nd place as ABC Wednesday returned down, and NBC powered up with Will-power and Grace-ful Writing.  And down in the cellar, FOX is in an anemic 4th place this week.

Image result for sheldon proposesThe meat of the conversation starts with the Monday, September 25 premiere of CBS' only comedy block of the evening.  The 11th season premiere ofThe Big Bang Theory returned to am impressive 4.1, up 7% from last year's 3.8 premiere in the same timeslot and up a landmark 64% from its last showing in May 2017.  Thus proving instead of allowing shows to wither on the vine, fix the writing! A special airing of freshman pilot Young Sheldon enjoyed an unheard of 3.8, up 41% from Kevin Can Wait's 2.7 premiere in the same timeslot, as well as matching the TBBT season 10 premiere that season and retaining 93% of this season's TBBT premiere.  Kevin Can Wait registered a 2.3 in its Autumn timeslot in the wake of Erinn Hayes' controversial firing and Leah Remini's first appearance on contract.  This was down 15% from the previous 2.7 premiere, yet drastically up 109% from the 1.1 finale in May.  Housed in the undesirable 9:30 timeslot is the premiere of Me, Myself and I with a softer 1.6, on par with last season's 60 minute premiere of 2 Broke Girls.

Image result for american housewife - greg driving
Tuesday, September 26 evening had sparse to report as ABC will debut October 3, and only returning favorites The Mick and Brooklyn 99 premiered t horrid results.  The Mick delivered a saddening 0.9, drastically down from its NFL-Inflated 2.8 January premiere and only up slightly from its series low 0.7 rating in May.  Brooklyn 99 delivered a sickening 0.7, down 36% from its meager 1.1 premiere last fall and only up a tick from its disastrous 0.6 season finale in May.  It appears the Silent Spring ratings will haunt this block well into the new season.  Wednesday, September 27 spelled the return of ABC's prized sitcom block with The Goldbergs returning to a 1.8, down 10% from the previous season premiere of 2.0 and up from the 1.4 May finale.  Speechless delivered a disastrous 1.4, 30% down from the 2.0 series premiere and up from the 1.2 May finale.  The 9th season premiere of Modern Family bolstered a 2.1, down 19% from the 2.6 season premiere last season and up from the 1.7 finale last May.  American Housewife debuted its 2nd season in an upgraded timeslot with a disappointing 1.6, down 15% from the 1.9 series debut last fall and up from the disastrous 1.2 May finale.

Image result for great news - tina fey
And Thursday, September 28 allowed NBC to debut its laughers free of sit-competition as Superstore's 3rd season premiere registered a 1.3, down 14% from the 1.5 premiere last fall and way up from the 0.8 depressed May finale.  The Good Place's timeslot premiere stilted a 1.4 in a W&G lead-up, up 7% from the week before.  The heralded return of Will and Grace after an 11-year hiatus delivered a glorious 3.0, and Great News scored a series high 1.3, up 8% from the 1.2 April debut and over double in showing from the pitiful 0.8 May finale.


So what do weeks 0 and 1 forecast for the debuts?  The Big Bang Theory exhibiting a great episode displayed in a rare uptick for the 11th season sitcom.  CBS' plugging of Young Sheldon advertisements and speculation over premise paid off.  Too bad the show will be off the air for weeks, although it's premiere rating is stronger than Kevin Can Wait and double the delivery of The Great Indoors.  Speaking of KCW, the controversy over Erinn Hayes' firing and Donna's death drew a respectable boost.  KCW's true test will be how it holds with 9JKL, aka [The Address Sitcom]'s premiere next week.  Me, Myself & I has a hard road ahead of it as the 9:30 timeslot is a tough sell.  If it manages to deliver respectable ratings straight through to its last showing in this slot on 10/23, it can easily endure a nice shelf life.

Much of Tuesday has yet to be determined as ABC's comedy block marks its debut next week, and FOX delivered embarrassing ratings in like with the Spring Doldrums.  Wednesdays on ABC ended a three-year unstoppable streak as it appears the network is regressing to the previous pattern of the showings surrounding MF not retaining the rich ratings bed.  MF has faded with age, but Speechless losing 33% of a 2.1 lead-in spells trouble.  And is American Housewife a good fit following MF?  The ABC block has shown quality of writing now reflects in their ratings.  AH fans not fret, as last season's 2nd episode outperformed the premiere in creativity.

NBC can enjoy a brief windfall with a highly publicized Will and Grace revival, as shows seldom reach the heights above the 3.0 mark unless tied to The Big Bang Theory.  NBC's Thursday roster still performs soft and best utilize W&G's 13-episode fall run for development.  Great News enjoyed the largest bump as last season's spring afterthought seldom perked above the 1.0 mark.  The Good Place has to prove itself this season, and Superstore isn't going anywhere as it is the strongest show next to Will and Grace.  How will the NBC roster fare when CBS comedies return?  More than likely they will rate under, and FOX's The Orville is showing a stability plateau.  NBC will more than likely compete for 3rd Place with FOX, as ABC and CBS still reign on this evening.  FOX Sundays have yet to perform and await FOX's prized return of post-Football inflation.

Scroll down the colored table beneath the ranking sitcoms and see some revealing data in the averages.  Often, CBS' average minus its strongest show presents a wide margin, and this week only sports a difference of .15.  That will change when Little Sheldon returns in November.  ABC's range is similar, as MF is no longer a power player, but a nice piece performing above average.  NBC's range is widest, as the averages minus W&G drop .42.  And FOX?  More debuts are needed to form an opinion, albeit Tuesday evenings appear to be losing.