Showing posts with label big bang theory. Show all posts
Showing posts with label big bang theory. Show all posts

2017-18 Week 4 Sitcom Scorecard -- The Goldbergs' 100th Episode Holds Permed Against Unilateral Drops


Written With To Much Explanation by Bridger Cunningham

As expected, the 2017-18 roster presents a lower Nielsen yield than previous seasons.  However, the bar has dropped for Leading The Pack to a record-lenient 1.35 Delta to enter the range.  And the Middle of the Pack is back to last season's bar with a 1.10, expected as the ranges become uneven or bottom-heavy.  And who hasn't noticed this article series' greatest blunder down below?  Everyone knows Dynasty is not intended as a sitcom, but has become a source of laughs which the show-runners should be honored to be roasted with.  That joke of a range is a placeholder as one regular show is edging dangerously low for an Anemic ranged show and will instigate the return of "The Abyss" when their average drops below 0.60.  Again, the Anemic classification is more lenient this season as lower yields are expected.  Speaking of 80's jokes, happy 100th episode, Goldbergs!  This week's episode gave us iconic visuals as Beverly sported a trend solid to the era without the mullet mocking.

Sunday, October 15 delivered an expected drop for FOX's non-inflated roster, surprisingly with decent results.  The Simpsons dropped nine-tenths to a 1.3 with plenty of room for movement.  Ghosted's 3rd episode delivered its true weight with a 1.0, again a hair above its 2016 fall predecessor  Son of Zorn, yet within a greater range of retention to its neighbors.  Family Guy dropped a mere two-tenths to a 1.2, as did Last Man On Earth with a 0.8.  Both shows are down from last year, yet the Sunday roster is boasting stable performance.

The same cannot be said for CBS Mondays.  October 16's The Big Bang Theory ticked down a tenth to a 2.8.  Down indeed from last year, yet TBBT was the 2nd highest-scripted show of the week!  9JLK dropped two-tenths to a 1.2, sadly setting a record-low post TBBT retention of 42%.  Last year's casualty The Great Indoors bottomed at 50% (1.4 out of 2.8), and 2014 failure The Millers held the previous low of 46% (2.1 our of a 4.5).  9JKL's ding-dong-ditch from the Nielsen ferry shaved another tenth off of Kevin Can Wait with a disappointing 1.1, and timeslot-troubled Me, Myself & I held sadly steady with a 0.9.

Tuesday, October 17 presented another round of general lows, with only Fresh off the Boat (1.1) and The Mick (0.8) holding steady.  The Middle ticked down to a 1.3, as did Brooklyn 99 with its series low 0.6.  Blackish (1.1) and the Mayor (0.8) hit series lows following a two-tenth drop.  Happily, Wednesday, October 18 presented a sturdy delivery with The Goldbergs' 100th episode (1.5), Speechless (1.1) and American Housewife (1.4) all holding their previous week's deliveries, while Modern Family ticked down a tenth (1.7)

And Must-See TV found NBC's trimming girth off its belt line.  Superstore held steady with a 1.1, and The Good Place reduced its weight to match that same measure.  The Will & Grace revival is still losing inches of its Nielsen fat, but the losses appear to be plateauing as this weeks 1.7 was only down one-tenth.  Sadly, Great News is NBC's Biggest Loser this week, having dropped two-tenths of its already light ratings to a 0.8



PERCENTAGE CHANGES

Only one show downgraded this week, as The Mayor slid from 55% odds of renewal to 45%.  So why is this Freshman series the target of a premature downgrade?  The Mayor, while sophisticated in quality and perhaps fitting with NBC's pallet, is cursed with a poor timeslot indeed.  However, it has hemorrhaged at an alarming rate, losing 27% of its already-weakened lead-in Black-ish' 1.1 rating.  ABC has three sitcoms (Alex, Inc, Roseanne and Splitting Up Together) on the bench looking to bat.  Upgrades are still a possibility, but it appears The Mayor's fate appears to be sealed.

Other shows stand poised for changes in status.  So who is eyeing a promotion?  Three more episodes of performance are needed to upgrade The Good Place and American Housewife to 90%, and the same benchmark will cement Superstore's and Family Guy's fates at 100%.  TGP and AH are enriching their network's rosters, yet they need 43-52 episodes beyond May 2018 to hit the syndication mark.  Superstore, however, needs 33 episodes and has three seasons coupled with an excellent use of leading timeslot in its favor.  And FG has passed syndication ages ago and stands as FOX's 2nd-highest rated sitcom.

The opposite trajectory awaits CBS freshmans 9JKL and Me, Myself & I, who already rest sadly at 45% renewal odds.  Unless 9JKL dips fractional out of its prime TBBT-lead-out, or MM&I sinks to a 0.7, these shows' fates will change in Week 7's Scorecard, due November 10.  This card will expose the shows' true weight minus TBBT in two showings.

Shows forecast for changes further into the season are Bob's Burgers, Ghosted, Last Man On Earth, Kevin Can Wait, Black-ish, The Mick, Speechless and Great News.  So why do they receive more ground before changes are warranted?  Let's examine their performance:

Bob's Burgers -- The durable FOX performer sits in the week's least-desirable timeslot on Sundays at 7:30.  And thus far, BB is performing above average early in the season.  However, a motion picture is planned for 2020, and FOX would be foolish to ax the show prior.  What else can handle this dreadful show-killing timeslot?

Ghosted -- Factors working in favor of this FOX freshman is it performs slightly above Son of Zorn, its surrounding sitcoms are down.  Factors working against are it has not plateaued, and the ratings are not "breathtaking".  Retention/Lead-Up to Simpsons and Family Guy will factor in over 8 episodes.

Last Man On Earth -- FOX's last Sunday picture show is down slightly, yet LMOE will reach 67 episodes by the season's close.  It is till straddling close to its series low (0.7).  But like BB, what else would FOX schedule on this evening?

Kevin Can Wait -- The Sophomore Sitcom could receive an upgrade in three weeks' time.  However, it continues to drop and has not plateaued.  Its odds of renewal run high as its competition is performing pitifully, and a precise gauge of performance will play out after the show's November 6 performance.

Black-ish -- The 4th season critical darling is an in-house ABC production, and it has proven resilient against NBC juggernaut This is Us.  It needs to hit its plateau to upgrade to 90%.  ABC would be foolish to cut Black-ish with The Middle exiting in 2018 and Speechless and The Mayor now the weakest links in the network's comedy roster.

The Mick -- Season 2 has disappointed and regularly taken 4th place in its timeslot.  However, surrounds Lethal Weapon and Brooklyn 99 are also fractional, so the premise has some salvaging leverage.  If the show delves deeper into fractional territory, it could downgrade.

Speechless -- Like Black-ish, Speechless is an in-house production and as of late registers 1.1 demos. It appears it has plateaued.  However, its lead-in and lead-out perform between 1.5-1.9 regularly, a stark difference which leaves disappointing egg on Speechless' face.  The show currently sits at a 70% renewal prediction and could change in November.

Great News -- Last year's lowest-rated renewal was given the prime Will and Grace lead-in to develop.  Out of that, it has performed between 0.8-1.3 out of W&G's 1.7-3.0 range.  The show has performed decently compared to past performance of failed NBC sitcoms in the 2010's despite this week's fractional drop.  W&G will only produce 16 episodes, so NBC needs sitcoms to paste in the roster between now and May.  If Great News can continue to perform closer to Superstore and The Good Place, it may see 2019.  If it continues belting out fractions, it's forked!

2010-11 Sitcom Scorecard -- CBS Champions Edgier Humor With Mike and Molly's Welcome Arrival

Written Profiling a Lorre of New Sitcoms by Bridger Cunningham

Image result for mike and molly -- katy mixon melissa mccarthy billy gardell  The 2000's were meaner than a dog crappin' tax to sitcoms, drastically reducing their value against cheaper Reality TV scheduling.  Given Judd Apatow made a lucrative career in the late 2000's with raunchy toilet humor in the cinema fold, wholesome CBS emulated the trend and traded in their traditions and opted to push censors with suggestive dialogue.  The latest entry to join Two and a Half Men and The Big Bang Theory was Mike and Molly, whose drive was to profile a plus-sized, luckless couple finding true love.  It sounded wholesome, but the raunchiness pulled the rug out from under the genre, leading a landing strip for crass one-liners and a neatly manicured welcome mat in the last timeslot available on CBS' powerhouse Monday lineup.  The only fat jokes accepted were the hearty ratings Mike and Molly delivered.

Elsewhere, it was another lean and successful year for the genre with 24 entries, 17 of which returned the following season.  FOX Sundays delivered strong, ABC Wednesdays rebooted the franchise around sophomore hit Modern Family and NBC stuck with (mostly) sophisticated entries.


Leading the ABC charge, Modern Family led the charge, stealing the crown as the leading sitcom from The Big Bang Theory.  Other entries remained tepid at best as Modern Family and Cougar Town delivered mediocre ratings.  The last timeslot split between failure Better With You and mild success Happy Endings.  Over at CBS, Mondays reigned as Two and a Half Men, How I Met Your Mother and Mike and Molly delivered sharp ratings.  Rules of Engagement bounced between Mondays and Thursdays like a yoyo as The Big Bang Theory moved to an uncharted Thursday.  Profanely titled $h!t My Dad Says only sparked attention due to title as viewers realized that was the only interesting concept in this show.

NBC Thursdays stood behind The Office, Parks and Recreation and 30 Rock in an attempt to recolonize Thursdays.  Community's critical praise saved its town from annexation, while Outsourced and an embarrassing Paul Reiser Show were deported due to poor performances in timeslots.  Animation Domination produced hits on FOX, while live feeds struggled to perform as only critical darling Raising Hope returned.  This season was a lean helping of sitcoms yet demonstrated a change in tide to resurrect the genre.

Source -- http://ew.com/article/2011/05/25/2010-11-season-tv-ratings/

CBS TCA Executive Session--Twitter Feed

The Ratings Junkie Tuesday, January 12, 2016
CBS TCA Executive Session--Twitter Feed
As tweets come in about the CBS TCA executive session, I'll embed them into this post. Keep a
lookout on early renewals! Refresh for updates.


Apparently Person of Interest also made the aforementioned reel. Looks like that's all! No early renewals this time. Thanks for joining us!